Yahoo España Búsqueda web

Search results

  1. Jasper Johns, Jr (Augusta, Georgia, 15 de Maio de 1930) é um pintor norte-americano do movimento Pop Art. Jasper Johns talvez tenha sido um dos mais importantes entre os pioneiros da pop art nos Estados Unidos. Começou a pintar objetos tão vulgares como por exemplo as bandeiras, mapas, algarismos.

  2. Jasper Johns’s groundbreaking work sent shock waves through the art world when it was first shown in the late 1950s, and he has continued to challenge new audiences—and himself—over a career spanning more than sixty-five years.He was born in 1930 in Augusta, Georgia; spent the majority of his adult life in New York; and today lives in Sharon, Connecticut, where, at the age of ninety-one ...

  3. nl.wikipedia.org › wiki › Jasper_JohnsJasper Johns - Wikipedia

    Jasper Johns (Augusta , 15 mei 1930) is een vooraanstaand Amerikaans kunstschilder, beeldhouwer en graficus. Hij is bekend van onder andere zijn schilderijen van de Amerikaanse vlag. Hij ontving in 2011 de Presidential Medal of Freedom. Biografie. Johns studeerde kort aan de ...

  4. Jasper Johns, artista americano nacido Augusta, Georgia en el año 1930, es uno de los pintores más destacados del movimiento Pop Art, junto a otros artistas como Roy Lichtestein , Andy Warhol y Richard Hamilton, fundador de este movimiento artístico.. En su amplia obra como pintor, escultor y artista gráfico destacan sus muy conocidas reinterpretaciones de la bandera estadounidense y otros ...

  5. Jasper Johns (born May 15, 1930) is an American painter, sculptor and printmaker whose work is associated with abstract expressionism, Neo-Dada, and pop art. He is well known for his depictions of the American flag and other US-related topics. Johns' works regularly receive millions of dollars at sale and auction, including a reported $110 ...

  6. ジャスパー・ジョーンズ(Jasper Johns, 1930年 5月15日 - )は、20世紀のアメリカの画家 。 ロバート・ラウシェンバーグ とともにアメリカにおける ネオダダ や ポップアート の先駆者として重要な役割を果たした代表的な作家。

  7. Jasper Johns's playful, enigmatic paintings interrogate the very ways in which we see and interpret the world. Beginning in the mid-1950s, Johns deliberately avoided art cut off from everyday life and made common signs, such as flags and targets, the subject of his work.