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  1. Hace 1 día · Of the concertos, seven are widely known (one violin concerto, five piano concertos, and one triple concerto for violin, piano, and cello); the other two are an early piano concerto ( WoO 4) and an arrangement of the Violin Concerto for piano and orchestra ( Opus 61a ).

  2. Hace 3 días · Piano Sonata No. 32 (Beethoven) The Piano Sonata No. 32 in C minor, Op. 111, is the last of Ludwig van Beethoven 's piano sonatas. The work was written between 1821 and 1822. Like other late period sonatas, it contains fugal elements. It was dedicated to his friend, pupil, and patron, Archduke Rudolf .

  3. Hace 3 días · The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a piano concerto composed by Ludwig van Beethoven.Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf, who was his patron, friend, and pupil.Its public premiere was on 28 November 1811 in Leipzig, with Friedrich Schneider as the ...

  4. Hace 1 día · The sheer innovation. Beethoven was in his late thirties, his so-called middle period and living in Vienna when he completed the work in 1808. The enchanted woods of the late string quartets and the mighty summits of the late piano sonatas were still a way off, but his life’s great expedition was already beginning to darken.

  5. Hace 2 días · Beethoven’s counterpoints enjoy a richly vibrant texture, a propulsive drive we know from the Eroica, but here infinitely more ... timpani. A better hall acoustic would have amplified the natural, witty excitement of the music-making. The inventive second movement, Allegretto scherzando, mocks the newly fashioned metronome, ...

  6. Hace 5 días · Beethoven, Simon, and Bologne. Wolf Trap. Jonathon Heyward leads a program of three masterworks featuring Beethoven’s triumphant Seventh Symphony and a rousing piece by Carlos Simon, the Kennedy Center’s new Composer-in-Residence.

  7. Hace 1 día · The Beatles’ Second Album “Roll over Beethoven” was a regular part of the early Beatles repertoire. The band recorded the song and included it on their second album With the Beatles.