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  1. Hace 1 día · Styne’s score is one of the best for any show ever.” – Ben Brantley , The New York Times – 2008 Since GYPSY premiered on Broadway in 1959, starring Ethel Merman , many of the greatest performers in Broadway history have taken on the iconic role of “Rose”: Angela Lansbury in 1974, Tyne Daly in 1989, Bernadette Peters in 2003, and Patti LuPone in 2008.

  2. Hace 4 días · Jule Styne’s “Gypsy” will star Natalie Dessay, Neïma Naouri, Medya Zana, and Daniel N’Jo Lobé. Laurent Pelly directs and Gareth Valentine conducts. Performance Dates: Feb. 1 & 2, 2025

  3. Hace 1 día · Rose also gets to sing some of the most memorable songs of the American musical theater canon by composer Jule Styne and lyricist Stephen Sondheim, including the battling “Some People,” her folie de grandeur “Everything’s Coming Up Roses” and the nervous breakdown set to music that is “Rose’s Turn. ...

  4. Hace 1 día · A surprise, not because the song is unknown but because it is so well known but completely reconsidered here, “Together (Wherever We Go)” (Jule Styne/Stephen Sondheim). It is transformed from a brassy trio into a sweet nursery rhyme complete with a music-box instrumental arrangement and showis Kittredge at her most tender.

  5. losing my mind. by Douglas Messerli . Stephen Sondheim, with additional music by Leonard Bernstein, Mary Rodgers, Richard Rodgers, and Jule Styne Side by Side by Sondheim / directed by Dan Fishbach at Los Angeles, Odyssey Theatre Ensemble / the performance I saw with Howard Fox was the matinee on July 29, 2018. Yesterday, my husband Howard and I attended a performance at Los Angeles’ famed ...

  6. Hace 5 días · En février, vous proposerez la création française de Gypsy, une comédie musicale de Jule Styne sur un livret de Sondheim : pourquoi ce choix ? L’œuvre est superbe, c’est la mère des comédies musicales. Le projet est porté avec la Philharmonie de Paris : voilà un exemple de collaboration que nous n’avions jamais expérimenté.

  7. Hace 3 días · Jule Styne’s music varies from catchy tunes to lush, foreboding orchestral maneuvers, and Sondheim’s nascent lyrics are simple and accessible, yet cut to the core of each scene’s objective.