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Hace 1 día · Gracias a la aparición de la «Nouvelle Vague», países como Checoslovaquia —Miloš Forman: Black Peter (1965), Loves of a Blonde (1965); Jaromil Jireš: The Cry (1964)—, Japón —Nagisa Ōshima: Cruel Story of Youth (1960), Night and Fog in Japan (1960)— o Brasil —Glauber Rocha: Barravento (1962), Black God, White Devil (1964)— pudieron articular sus propias ansiedades y ...
Hace 4 días · The 36th annual Columbia Film Festival (CUFF) held its awards ceremony on May 13, 2024. In addition to recognizing the 41 films that premiered at the festival, Interim Dean Sarah Cole announced that beginning in 2025, the festival will be renamed the Miloš Forman/Michael Hausman Columbia University Film Festival, after former Film Chair, Miloš Forman and former professor Michael Hausman, who ...
Hace 1 día · Milos Forman, who directed the movie version, with Jack Nicholson as McMurphy, has understood how crude the poetic-paranoid system of the book would look on the screen now that the sixties’ paranoia has lost its nightmarish buoyancy, and he and the scenarists Lawrence Hauben and Bo Goldman have done a very intelligent job of loosening Kesey’s schematism.
Hace 3 días · Then Miloš Forman, a superstar whose films “One Flew Over the Cuckoo’s Nest” and “Amadeus” had both won him Oscars, said he wanted to direct.
Hace 4 días · Amadeus—Miloš Forman’s 1984 film adaptation of Peter Shaffer’s 1979 stage play of the same name—is the story of a rivalry, and it’s easiest to describe that feud as occurring between Salieri, the genteel craftsman, and Mozart, the buffoonish genius. But, more precisely, the feud is between Salieri and God, on whom he pins the blame ...
Hace 1 día · Una plática entre 2 amigos cachanillas, Chema Rodríguez y Roque Salcido; amantes del cine y la cerveza, donde analizamos una película en particular con buen ...
Hace 4 días · Miloš Forman natočil podle Shafferova scénáře naprosto výjimečné filmové dílo, jež ve své době zaznamenalo neočekávaný divácký úspěch a způsobilo dokonce „mozartománii". Ve skvěle vystavěných dramatických scénách totiž Forman brilantním způsobem využil právě roli hudby.
