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  1. Hace 2 días · I Vitelloni | Alberto Sordi, quella pernacchia e i settant’anni del cult di Fellini. La lavorazione, Vagabondi!, il retaggio e quel ruolo mancato di Vittorio De Sica. Rileggere un classico. ROMA – « Da quando ho fatto La Dolce Vita c’è sempre qualche produttore che, puntualmente, torna alla carica per propormene una variazione, un ...

  2. Hace 5 días · Chiara Mastroianni presenta en el Festival de Cannes 'Marcello mio', un homenaje a su padre que llega a tiempo para celebrar su centenario. ... 'Los girasoles' (Vittorio De Sica, 1970)

  3. en.wikipedia.org › wiki › Satyajit_RaySatyajit Ray - Wikipedia

    Hace 4 días · He also acknowledged Vittorio De Sica, whom he thought represented Italian Neorealism best, and taught him the cramming of cinematic details into a single shot, and using amateur actors and actresses. Ray professed to have learnt the craft of cinema from Old Hollywood directors such as John Ford, Billy Wilder and Ernst Lubitsch.

  4. Hace 4 días · Vittorio De Sica, a leading figure in the neorealist movement and one of the world's most acclaimed and influential filmmakers of all time. Neorealist films typically dealt with the working class and were shot on location. There were several important precursors to the movement, like What Scoundrels Men Are!

  5. Hace 4 días · The Image: Just a striking "dirty-realism' type image of the Tiber river with all that mist, a boat, the barge - and Gino Saltamerenda as Il panza (the Belly...

  6. Hace 4 días · Avec quinze films, Ken Loach détient le record du plus grand nombre de films en compétition principale à Cannes 35 . Avec neuf films, Carlos Saura détient le record du plus grand nombre de films en compétition principale à Cannes sans jamais n'avoir remporté la Palme d'Or. Avec huit films, Marco Bellochio détient quant à lui le record ...

  7. Hace 3 días · A global movement, architectural postmodernism cannot be reduced simply to the cultural logic of late capitalism, nor should its analysis be restricted, as in recent revisionist histories, to the geo- graphical confines of the Eastern Bloc. By revealing that the ideas, design strategies and images that make up postmodern architecture did not belong squarely to either side of the Cold War ...

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