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  1. Béla Bartók Music High School of Miskolc (Miskolci Bartók Béla Zeneművészeti Szakközépiskola) is situated in the Palace of Music (Zenepalota) in Bartók Square, Miskolc, Hungary. It is a music school named after the Hungarian composer Béla Bartók. It was founded in 1966.

  2. Early musical career (1899–1908) Bartók's signature on his high-school-graduation photograph, dated 9 September 1899. From 1899 to 1903, Bartók studied piano under István Thomán, a former student of Franz Liszt, and composition under János Koessler at the Royal Academy of Music in Budapest. [12]

  3. 29 de mar. de 2024 · Béla Bartók was a Hungarian composer, pianist, ethnomusicologist, and teacher, noted for the Hungarian flavour of his major musical works, which include orchestral works, string quartets, piano solos, several stage works, a cantata, and a number of settings of folk songs for voice and piano.

  4. Béla Viktor János Bartók (Nagyszentmiklós, Imperio austrohúngaro —Sânnicolau Mare, desde 1920 parte de Rumanía—, 25 de marzo de 1881-Nueva York, 26 de septiembre de 1945), conocido como Béla Bartók (en húngaro, Bartók Béla), fue un músico húngaro que destacó como compositor, pianista e investigador de música folclórica de ...

  5. Born a proud Hungarian (though his birth town is now within the borders of Romania), Béla Bartók belongs to the extraordinary generation of modernist European composers who came to the fore at the beginning of the 20th century – which included Schoenberg, Berg and Webern (the Second Viennese School), Stravinsky and Varèse.

  6. Béla Bartók, aged 22. At Pozsony Bartók studied piano under distinguished teachers. He taught himself composition by reading scores. Under the influence of composer Ernö Dohnányi, four years ahead of him in his school, teenage Bartók wrote chamber music in the style of Brahms.

  7. Béla Bartók using an Edison phonograph to record folk songs sung by Slovak peasants in 1908. Photo courtesy of the Bartók Archives Always the ethnomusicologist, Bartók heard folk music influences everywhere, even in the “classical” music of Debussy and Stravinsky.