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  1. Hace 3 días · Samuel Kircher y Léa Drucker, en 'El último verano'. Javier Ocaña. May 30, 2024 - 23:15 EDT. El deseo y la decadencia tienen en Muerte en Venecia, novela de Thomas Mann, película de Luchino ...

  2. Hace 2 días · It has been a week, and I’m still haunted by Luchino Visconti’s film Le Notte Bianche (White Nights 1957), starring the two great male beauties of the cinema at the time, Marcello Mastroianni and Jean Marais, and the enticing Maria Schell. Narration-wise, the film is not much, but the heightened sense of Romance is on another scale of intensity that is unrealistic.

  3. Hace 2 días · Su estrella dio un giro radical a partir de su participación como el desdichado protagonista de Noches blancas (1957), su primera experiencia cinematográfica junto a Luchino Visconti, basada en ...

  4. Hace 5 días · Ricorrono oggi, 29 maggio 2024, gli 80 anni dalla nascita di Helmut Berger, meteora fiammante del cinema italiano, scoperto e portato al successo dal regista Luchino Visconti alla fine degli anni ’60. Nonostante non sia il primo film a cui prese parte, La caduta degli dei (1969), che festeggia 55 anni questo 16 ottobre, è il film che lo consegnò alle luci della ribalta.

  5. Hace 2 días · Neorealism, made famous by the Italian directors Robert Rossellini, Vittorio De Sica and Luchino Visconti, focuses on the everyday lives of ordinary people, and Jia’s take on the genre explores the effects of modernisation and globalisation in his native China, whilst largely adhering to the neorealist principles of filmmaking, if only out of necessity’s sake.

  6. Hace 3 días · Rota was an acclaimed Italian composer who previously scored films by Federico Fellini and Luchino Visconti and whose unique compositions helped give The Godfather its distinctive identity. Rota passed away in 1979, so he could not compose the score for The Godfather Part III , although many of his earlier positions were reused.

  7. Hace 4 días · Documental, drama. Para mayores de 16 años. En 1971, con motivo del estreno mundial de Muerte en Venecia, el director italiano Luchino Visconti proclamó a su Tadzio como “el chico más hermoso del mundo”. Una sombra que hoy, cincuenta años después, pesa aún en la vida de Björn Andresen.