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  1. Hace 4 días · Pauline Kael’s review of The Earrings of Madame de… praises Max Ophuls’s lush, romantic cinematic style, contrasting it with the austere, almost mathematical prose of Louise de Vilmorin’s novella. Ophuls’s fluid camera work and seamless transitions, such as the continuous movement from ball to ball, create a hypnotic and seductive rhythm that envelops the viewer. The performances by ...

  2. Hace 1 día · Legendary critic Pauline Kael, in her contemporaneous review of the film, saw this dichotomy as its central problem. She felt the depictions of decadence were a pose, and audiences secretly found the glamour and excess appealing, rather than appalling. They were voyeurs safely perched on the moral high ground. To Kael the film was a celebration dressed as an indictment, a guilty ‘glamour ...

  3. Hace 3 días · The story is told in Carrie Courogen’s casual, sympathetic and compulsively readable new biography, “Miss May Does Not Exist.”. The title comes from short biographies Nichols and May wrote ...

  4. Hace 4 días · (1919 – 2001) American film critic. Communication Entertainment Artists. He has turned almost alarmingly blond – he's gone past platinum, he must be plutonium; his hair is coordinated with his teeth. Pauline Kael. (1919 – 2001) American film critic. Appearance Insults About Robert Redford. Her only flair is in her nostrils. Pauline Kael.

  5. Hace 3 días · The crown jewel of experimental filmmaker Alejandro Jodorowsky's ouevre, El Topo helped define a new Western subgenre, the "acid western," when The New Yorker 's legendary critic Pauline Kael ...