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17 de ene. de 2019 · Jah Wobble bass. with guests: Sinéad O’Connor vocals on ‘Mraya’ Natacha Atlas vocals on ‘Habibti’ Caroline Dale cello on ‘Mraya’ Carol Isaacs accordion on ‘Hadi’ Nacer Khenniche darbuka on ‘Mraya’ Executive producer Jah Wobble for 30 Hertz Productions Recording produced by John Reynolds Assistant producer ...
For Slimani, who became an integral part of the Invader’s line-up, Wobble produced a soaringly beautiful album, called Mraya (Real World Records). With its desert ambience, its poetry of open spaces, the themes of emigration and yearning for home, Mraya is a unique concoction of Arabian trance melodies and West Indian dub, still standing the ...
John Joseph Wardle (born 11 August 1958), [citation needed] known by the stage name Jah Wobble, is an English bass guitarist and singer. He became known to a wider audience as the original bass player in Public Image Ltd (PiL) in the late 1970s and early 1980s; he left the band after two albums.
Bass – Jah Wobble; Drums, Programmed By, Backing Vocals – John Reynolds; Electric Guitar, Guitar [Spanish Guitar], Oud ['ud], Backing Vocals – Justin Adams; Executive-Producer – Jah Wobble; Liner Notes [French Translation] – Rosa Santos; Management – David Jaymes Associates Ltd. Mixed By – Mark Ferda; Photography By – John Sleeman
11 de jun. de 1996 · Abdel Ali Slimani has sung with bassist Jah Wobble, and he returns the favor here, bring not only his own talents, but Justin Adams on guitars and oud, and drummer/programmer John Reynolds, along with singers Natacha Atlas and Sinead O'Connor -- essentially the Invaders of the Heart posse.
A lgerian raï singer Abdel Ali Slimani released his debut album, Mraya, on Real World Records in January 1995. Mraya, which means 'mirror', reflects the formative experiences of the North African singer as part of Jah Wobble's Invaders of the Heart; and also allows him to look at himself and examine the influences that have brought him thus ...
“Zeyna” and “Yasmin” are classic Raï pop with their mix of synthetic dance rhythms and traditional instruments, while “Hadi” swirls around a hypnotic vocal and accordion refrain, underpinned by the driving bass of Jah Wobble, who provides a dubby undertone to the whole album.
