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  1. en.wikipedia.org › wiki › Gary_MarkerGary Marker - Wikipedia

    Gary "Magic" Marker (May 23, 1943 – December 8, 2015) was an American bass guitarist and recording engineer, best known for his involvement in various psychedelic rock bands of the 1960s. A bass player with jazz leanings, who had studied at Berklee College of Music, [1] Marker was a member of the Rising Sons between 1964 and 1966 ...

  2. Curriculum Vitae. Email: gary.marker@stonybrook.edu. Interests: Russia, European social history. My research has concentrated on early-modern Russia (seventeenth through early nineteenth century, or Baroque and Enlightenment), although it has recently broadened to include early modern Ukraine.

  3. GARY MARKER EMPLOYMENT EXPERIENCE: Department of History, SUNY Stony Brook: September 1995-2001, 2013- 2016 Chair 2020 Professor Emeritus 2020-2023 Toll Professor 1996-2020, Professor 1985-1996: Associate Professor 1979-85: Assistant Professor Instructor in New York Institute Stony Brook/St. Petersburg State

  4. 1 de oct. de 2008 · Marker has clearly shown that the cult of St. Catherine made it possible to conceive of a female ruler in positive, Christian terms, a huge contribution to understanding the political culture of Russia from the mid-seventeenth to the early eighteenth centuries.

  5. Gary Marker (email, website) is professor of history at SUNY Stony brook. He is a specialist of Russian history, with interests in cultural history and the history of publication and reading. His publications include Days of A Russian Noblewoman: The Memories of Anna Labzina , Reinterpreting Russian History: Readings, 1860-1860s (with Daniel H ...

  6. 386 Publications of Gary Marker Review of Reform and Regicide: The Reign of Peter III of Russia, by Carol S. Leonard, Slavic Review 55 (1996): 184-85. 1997 “The Creation of Journals and the Profession of Letters in the Eigh-teenth Century,” in Literary Journals in Imperial Russia, ed. Deborah A. Martinsen (Cambridge: Cambridge University Press, 1997), 11-37.

  7. Gary Marker’s fascinating study of the cult of St. Catherine and the construction of a basis of legitimacy for female rule in early modern Russia reads like a well-plotted detective story, one of those murky ones where the detective is called to solve a case where the murder implement, the body, and even the basic fact of the murder are missing, obscure, or subject to doubt.