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Documentary precept. Set as a three-part documentary, TechnoCalyps posits that genetics, robotics, artificial intelligence, bionics, and nanotechnology seem to be converging towards a goal of having mankind transcend human limits.
With Jay McMahon, Osman Bakar, Michel Baudry, Ted Berger. Technocalyps examines transhumanism. Experts and scientists discuss whether human beings will use discoveries in genetics, robotics, nanotechnology, and artificial intelligence to enhance their bodies and minds beyond their current physical and mental forms.
Technocalyps is a three-part documentary series on the notion of transhumanism by Belgian visual artist and filmmaker Frank Theys. The accelerating advances in genetics, brain research, artificial intelligence, bionics and nanotechnology seem to converge to one goal: to overcome human limits and create higher forms of... read more.
12 de abr. de 2022 · Apr 12, 2022 | Science, Technology, Videos. Technocalyps is the brainchild of Frank Theys, a Belgian visual artist and filmmaker, wherein he explores the intriguing prospect of trans-humans being the next in the series of evolution after human beings.
1 de may. de 2006 · Technocalyps is an intriguing three-part documentary on the notion of transhumanism by Belgian visual artist and filmmaker Frank Theys. The latest findings in genetics, robotics, artificial intelligence, bionics and nanotechnology appear in the media every day, but with no analysis of their common aim: that of exceeding human ...
Technocalyps presents a thorough and critical enquiry into the scientific, ethical and metaphysical dimensions of technological development. The film includes interviews by top scientists and thinkers on the subject worldwide, such as Marvin Minsky, Ray Kurzweil, Terence McKenna, Hans Moravec, Bruce Sterling, Robert Anton Wilson, David Noble, ...
Technocalyps is an intriguing three-part documentary on the notion of Trans-humanism by Belgian visual artist and filmmaker Frank Theys. The latest findings in genetics, robotics, artificial...
