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  1. Evelyn Florence Margaret Winifred Gardner (27 September 1903 – 11 March 1994) was the youngest child of Herbert Gardner, 1st Baron Burghclere, and the first wife of Evelyn Waugh. She was one of the Bright Young Things .

  2. 11 de ene. de 2017 · Waugh’s marriage to Evelyn Gardner and her subsequent affair and divorce lead into a gossipy section containing excerpts from his correspondence with “Baby” Jungman and flirtations with ...

  3. As 1927 unfolded, Evelyn started a book called Rossetti, a biography of the Pre-Raphaelite painter, which he wrote between Oxford, Beckley (near Oxford), Barford and Underhill. On 1 July, Waugh wrote in his diary that he escorted Evelyn Gardner to lunch at the newly opened Green Park Hotel. Later in the entry he wrote that he’d given Evelyn ...

  4. But Alexander Waugh has told me that Evelyn’s mother’s unpublished diary reveals that on the weekend of July 16, 1929, John Heygate and She-Evelyn drove to Beckley instead of Waugh coming down to London for the weekend. I think that was before the letter though, while things were still ostensibly chummy between the three of them.

  5. en.wikipedia.org › wiki › Evelyn_WaughEvelyn Waugh - Wikipedia

    Arthur Evelyn St. John Waugh ( / ˈiːvlɪn ˈsɪndʒən ˈwɔː /; 28 October 1903 – 10 April 1966) was an English writer of novels, biographies, and travel books; he was also a prolific journalist and book reviewer.

  6. www.imdb.com › name › nm0775087Bitty Schram - IMDb

    She is best known for her role as Adrian Monk's original personal assistant, Sharona Fleming, on the TV series Monk. She is also known for her film role as Evelyn Gardner, the sobbing right-fielder who was reminded by Tom Hanks that "There's no crying in baseball!" in Penny Marshall's box-office hit A League of Their Own.

  7. A Handful of Dust is a novel by the British writer Evelyn Waugh. First published in 1934, it is often grouped with the author's early, satirical comic novels for which he became famous in the pre– World War II years. Some commentators regard it as a transitional work due to its serious undertones, pointing towards Waugh's Catholic postwar fiction.