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  1. Deborah Nadoolman Landis (born May 26, 1952) is an American costume designer, author, and professor. She has worked on notable films such as Animal House, The Blues Brothers, Raiders of the Lost Ark and Three Amigos, all of which credited her as Deborah Nadoolman.

  2. 8 de dic. de 2018 · Entretenimiento. El significado de la cazadora de Michael Jackson en 'Thriller', explicado por la mujer que la diseñó. Cuando se cumplen 35 años del estreno del mítico videoclip en MTV, hablamos...

  3. www.deborahlandis.com › about-1About | My Site

    Request Complete CV. ABOUT DEBORAH. Deborah Nadoolman Landis, PhD, costume designer, historian, David C. Copley Chair, is a Distinguished Professor at UCLA’s School of Theater, Film and Television. Landis is the Founding Director of the David C. Copley Center for Costume Design.

  4. Costume designer, historian and Distinguished Professor Deborah Nadoolman Landis is the founding director and chair of the David C. Copley Center for Costume Design. Landis received an M.F.A. in costume design from the UCLA College of Fine Arts in 1975 and a Ph.D. in the history of design from the Royal College of Art, London.

  5. 16 de nov. de 2018 · La prestigiosa diseñadora de vestuario y profesora Deborah Nadoolman Landis, que vistió a Harrison Ford en En busca del arca perdida y confeccionó la chaqueta de cuero rojo que lució Michael Jackson en Thriller, moderó este encuentro en el que debatió con sus compañeros de profesión españoles Clara Bilbao, Tatiana Hernández ...

  6. Her versatility was an asset for director John Landis for his The Kentucky Fried Movie (1977), in which a dozen distinct short segments were molded into a coherent whole. Nadoolman met Landis while a freshman at college, through a group of friends who had been to high school with him.

  7. the-talks.com › interview › deborah-landisDeborah Landis - The Talks

    9 de nov. de 2022 · Deborah Landis: “Costumes are talismans” Ana Bogdan. Ms. Landis, as a costume designer, would you say your work has a signature look or style? Signatures are a tricky thing! Costume design, unlike what the audience may think, is more about the conversation than about clothes. It’s really about trying to discover who the people are in the story.