Search results
Mabel Beardsley (1871-1916), Victorian actress and sister of Aubrey Beardsley. Mabel Beardsley (24 August 1871 – 8 May 1916) was an English Victorian actress and elder sister of the famous illustrator Aubrey Beardsley, who according to her brother's biographer, "achieved mild notoriety for her exotic and flamboyant appearance".
Biography. Mabel Beardsley (24 August 1871 – 8 May 1916) was an English Victorian actress and elder sister of the famous illustrator Aubrey Beardsley, who according to her brother's biographer, "achieved mild notoriety for her exotic and flamboyant appearance". View full wikipedia entry.
27 de mar. de 2020 · Beardsley's income from The Yellow Book enabled him to buy a house with his sister, Mabel, at 114 Cambridge Street in Pimlico, London. He quickly set about decorating his home, embarking upon this, his only known oil painting.
16 de mar. de 2016 · Furthermore, in none of Beardsley’s images of Wilde lurks a depiction close to Max Beerbohm’s cruel and malicious George IV. Mabel Beardsley maintains that the caricatures of Oscar were “too delicate for him to resent, and in any case he was compelled to admire the beauty of the drawings.”.
23 de feb. de 2020 · The decadent artist was inseparable from his elegant actress sister Mabel. Is she the key to his fantasy world? Gaby Wood 23 February 2020 • 10:00am. Oswald Birley's 1910 portrait of Mabel...
22 de feb. de 2020 · The “Beardsley. Woman” was often a lone figure, confident in her own world, less symbolic of fin-de-siècle scandal than of incipient emancipation. Mabel Beardsley, who was older than her brother by a year minus three days, was, it seems, present for everything – she encouraged Aubrey to give up his job in an insurance office and become an artist.
Hace 2 días · Aubrey Beardsley – decadence & desire. Aubrey Beardsley (1872 – 98) was an artist whose illustrative work burned brightly, but briefly, until his death aged just 25. To many, he and his art personify the fin de siècle 1890s, 'the Beardsley age' of decadence, of the rejection of moral and aesthetic convention in favour of perversity and ...
