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  1. en.wikipedia.org › wiki › Sam_WarnerSam Warner - Wikipedia

    Samuel Louis Warner (born Szmuel Wonsal, [1] [2] [3] August 10, 1887 – October 5, 1927) was an American film producer who was the co-founder and chief executive officer of Warner Bros. He established the studio along with his brothers Harry, Albert, and Jack L. Warner.

  2. www.wikiwand.com › en › Sam_WarnerSam Warner - Wikiwand

    Samuel Louis Warner (born Szmuel Wonsal, August 10, 1887 – October 5, 1927) was an American film producer who was the co-founder and chief executive officer of Warner Bros. He established the studio along with his brothers Harry, Albert, and Jack L. Warner.

  3. 4 de abr. de 2023 · How the Warner brothers — Harry, Sam, Albert and Jack — were different from Hollywood’s other movie moguls in the industry’s early years. Warner Bros. Studio: How It Started, History ...

  4. www.imdb.com › name › nm0912580Sam Warner - IMDb

    Sam Warner. Director: A Dangerous Adventure. Sam Warner could rightly be called "The Father of Talking Pictures". Of the four Warner brothers, Sam was the most in favor of using synchronized sound with movies. He was the driving force behind the studio's partnership with Western Electric to create Vitaphone.

  5. Sam Warner. Director: A Dangerous Adventure. Sam Warner could rightly be called "The Father of Talking Pictures". Of the four Warner brothers, Sam was the most in favor of using synchronized sound with movies. He was the driving force behind the studio's partnership with Western Electric to create Vitaphone.

  6. Samuel Louis "Sam" Warner (August 10, 1887 – October 5, 1927) was a Polish-born Jewish American film producer who was the co-founder and chief executive officer of Warner Bros. Studios. He established the studio along with his brothers Harry, Albert, and Jack L. Warner. Sam Warner is credited...

  7. 5 de abr. de 2024 · Studio executive Sam Warner, one of the founders of Warner Brothers and the creative force behind the film, died one day before the movie’s premiere, which was intentionally set for the day before Yom Kippur. One of Jolson’s first lines, “You ain’t heard nothin’ yet,” came to symbolize the arrival of the talking picture.