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  1. Yelizaveta Ignatevna Svilova (Russian: Елизаве́та Игна́тьевна Сви́лова, rendered in Latin as Elizaveta Svilova) (5 September 1900, Moscow – 11 November 1975, Moscow) was a Russian filmmaker and film editor. She is perhaps best known for making films with her husband Dziga Vertov and her brother-in-law ...

  2. Print. by Eva Molcard. A film editor, director, writer, and archivist, Elizaveta Svilova was an intellectual and creative force in early Soviet montage. She is best known for her extensive collaborations with her husband, Dziga Vertov, on seminal early documentary films, and especially for instances when she appeared on camera demonstrating the ...

  3. Elizaveta Svilova 1900 – 1975. Elizaveta (a.k.a. Yelizaveta) Svilova began apprenticing at age twelve in a film laboratory. Beginning at the age of fourteen, she worked for the Pathé film company as a cutter and photo-printer, working there from 1914-18.

  4. Biografia. Yelizaveta Ignatevna Svilova (nascuda Elizaveta Schnitt) va néixer el 5 de setembre de 1900 a Moscou. A partir dels 14 anys, va començar a muntar pel·lícules per a l'empresa Pathé. Va treballar amb Vladimir Gardin i amb Vsevolod Meyerhold. [3] De 1918 a 1922, va treballar a Narkompros (Comissariat del Poble per a l'Educació). [3]

  5. Yelizaveta Svilova, a la sombra de Dziga Vértov. La obra más conocida del cine vanguardista ruso es El hombre de la cámara, documental sobre un día cualquiera de una ciudad soviética, desde el...

  6. 2 de dic. de 2023 · Elizaveta Svilova is perhaps most recognized as the wife of Dziga Vertov, a pioneer of Soviet documentary cinema during the 1920s best known for his film Man with a Movie Camera (1929), but she also stands as a core voice of Soviet cinema and early female pioneers of world cinema.

  7. 5 de sept. de 2021 · Elizaveta Svilova: the woman behind The Man With a Movie Camera — New East Digital Archive. 5 September 2021. Text: Rachel Pronger. Editor Elizaveta Svilova is best known for her partnership with her husband Dziga Vertov, playing a crucial role in the making of his seminal documentary Man with a Movie Camera.