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Alabama's volatile pimp, Drexl Spivey (Gary Oldman), makes Clarence uneasy. An apparition of his idol, Elvis Presley (Val Kilmer), tells him that killing Drexl will make the world a better place. Clarence stands up to the intimidating Drexl and tells him to leave Alabama alone. Drexl assaults and subdues Clarence and takes his wallet.
True Romance est un film réalisé par Tony Scott avec Christian Slater, Patricia Arquette. Synopsis : Le jour de son anniversaire, Clarence Worley rencontre la splendide Alabama dans un cinéma ...
Amor a quemarropa película dirigida por Tony Scott y protagonizada por Christian Slater, Patricia Arquette y Dennis Hopper. Año: 1993. Tema: Drogas. Slogan: Robar, engañar, matar. ¿Quién dijo que el romance está muerto? Sinopsis: En el día de su cumpleaños Clarence Warley recibe un regalo muy especial: pasar toda la noche con la chica de sus sueños, Alabama, una prostituta ...
I Silverstein hanno chiamato True Romance una canzone dal loro album Arrivals & Departures del 2007. Il video di Robbers, canzone del gruppo britannico The 1975, è ispirato al film. La serie televisiva Euphoria del 2019 cita il film. In uno degli episodi il personaggio Cassie Howard per andare ad una festa a tema si traveste da Alabama Whitman.
8 de jul. de 2014 · In this rock & roll adventure story Christian Slater (Interview With the Vampire) and Patricia Arquette (Ed Wood) star as two unlikely lovers propelled into ...
9 de sept. de 1993 · Tony Scott. Director. Roger Avary. Screenplay. Written by tmdb27219454 on August 2, 2019. Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.
28 de jun. de 2022 · Though TRUE ROMANCE is often talked about as a Tarantino film, it’s Scott who keeps the pace going, the action on track, and the story front and center. The film clocks in at a brisk two hours, and it noticeably lacks the indulgent scenes that Tarantino would become famous for when he started making his own films where a couple of very verbal characters would go off on a tangent.
