Search results
23 de feb. de 2014 · Directed by Fred Zinnemann. With Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges. A marshall, personally compelled to face a returning deadly enemy,...
High Noon (Do Not Forsake Me, Oh My Darlin') es una canción compuesta por Dimitri Tiomkin en 1952, con letra de Ned Washington, para la película High Noon —en Argentina, A la hora señalada; en España, Solo ante el peligro—, donde es interpretada durante los créditos de apertura por Tex Ritter.La canción ganó el premio Óscar a la mejor canción original de dicho año.
High Noon. WESTERN. Gary Cooper won the Oscar® for the Best Actor in this classic tale of a lawman who stands alone to defend a town of cowardly citizens against a gang of revenge-seeking criminals. In the greatest showdown in the history of cinema, Cooper stands to lose not only the town but his new wife, Grace Kelly.
2 de sept. de 2019 · High Noon (Solo ante el peligro) Por Sofía Martín. En la época dorada de Hollywood, cuando el western se había aficionado al tecnicolor y la exaltación del espíritu americano, en plena guerra fría, era una exigencia velada, High Noon (1952) supuso un hito disruptivo en la historia del género. Fred Zinnemann, un cineasta austrohúngaro ...
Details. Gary Cooper won the Oscar® for the Best Actor in this classic tale of a lawman who stands alone to defend a town of cowardly citizens against a gang of revenge-seeking criminals. In the greatest showdown in the history of cinema, Cooper stands to lose not only the town but his new wife, Grace Kelly.
21 de jul. de 2020 · It is a gritty, emotional and suspenseful tale of being alone while surrounded by loads of people. “High Noon” stars Gary Cooper in his comeback role, and features newcomer Grace Kelly, who would go on to become a legend. In addition, it is brimming with a huge assembly of superb character actors. High Noon.
15 de dic. de 1986 · High Noon is one of the few American films that follow the classic Aristotelian principle of the “classic unities” of time, place and action. The running time of the story almost exactly parallels the running time of the film itself. This effect is heightened by the frequent use of clocks throughout the film that remind the characters—and ...
