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  1. www.peopleslight.org › new-play-frontiers › npf-playwrightsKate Fodor - peopleslight.org

    Kate Fodor is an American playwright and television writer. Her debut play, Hannah and Martin, opened Off-Broadway on March 20, 2004 by the Epic Theatre Ensemble. The play won the Roger L. Stevens Award from the Kennedy Center Fund for New American Plays and a Joseph Jefferson Citation for New Work.

  2. New Dramatists. located — 424 West 44th Street, New York, NY 10036. mailing — PO Box 2697, New York NY 10108. Contact Us.

  3. Kate Fodor Kate’s play Hannah and Martin received the Kennedy Center’s Roger L. Stevens Award, a Joseph Jefferson Citation, and an After Dark Award. 100 Saints You Should Know received the National Theatre Conference’s Stavis Award and was named one of the 10 Best Plays of the year by “Entertainment Weekly” and “Time Out New York.”

  4. Kate Fodor. Author bio(s) $13.00. Qty: Full Length, Drama 4 men, 4 women (doubling) Total Cast: 8, Interior ISBN-13: 978-0-8222-2019-0. FORMAT: Apply for ... Kate Fodor. If this first play is any indication, Fodor will eventually take her place alongside some of this country’s best dramatists…[The play] challenges, entertains, enlightens.

  5. 21 de may. de 2019 · The remarkable text by playwright Kate Fodor stands on its own two pillars of cerebral philosophizing and visceral desire. In his 24th collaboration with Shattered Globe Theatre, director Louis Contey leans on these two pillars to guide a willing audience into the gray area of a life or death debate.

  6. Photos of (1) Zoe Kazan and Jeremy Shamos; (2) Jeremy Shamos and Janel Moloney; (3) Lois Smith and Jeremy Shamos; and (4) Will Rogers and Jeremy Shamos by Joan Marcus. “IT’S A BEAUTY! THE CAST IS EXQUISITE. LOIS SMITH IS LUMINOUS. If KATE FODOR is not a name you recognize, this is a play you should know.”. “★★★★.

  7. 21 de may. de 2019 · The remarkable text by playwright Kate Fodor stands on its own two pillars of cerebral philosophizing and visceral desire. In his 24th collaboration with Shattered Globe Theatre, director Louis Contey leans on these two pillars to guide a willing audience into the gray area of a life or death debate.