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Georges Braque (Argenteuil, Val-d'Oise, 13 de maig del 1882 - 31 d'agost del 1963) fou un pintor i escultor rellevant del segle XX francès que, juntament amb Pablo Picasso, desenvolupà el moviment artístic conegut com a cubisme. Joventut. Georges Braque fou nat a França.
Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still lifes and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career ...
Biography. Georges Braque ( BRA (H)K, French: [ʒɔʁʒ bʁak]; 13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism.
Georges Braque and his paintings. Born in 1882, Georges Braque was a Parisian painter from the 20th century. He was most well known for being the founder of Cubism alongside famous artist Pablo Picasso. In addition to the invention of Cubism, he did also focus on other forms of art which were prominent during this time period as well.
29 de oct. de 2007 · Biografia. por Admin — Última modificación 29/10/2007 19:57. Describe en 4 folios los aspectos mas importantes de su trayectoria vital así como de la evolución de su estilo pictórico. Biografía de Georges Braque. Argenteuil-sur-Seine, 1882-París, 1963. Braque ha escrito, junto con Picasso, uno de los capítulos más importantes de la ...
L´Estaque - Braque, Georges. Museo Nacional Thyssen-Bornemisza. Bajo un promontorio enmarcado por árboles se divisa el caserío del pequeño puerto pesquero de L´Estaque, próximo a Marsella. Marina. L'Estaque es uno de los escasos lienzos plenamente fauves de Braque. En él destaca el empleo arbitrario del color, con armonías que recorren ...
1 de ene. de 2024 · In 1912, Georges Braque invented papier collé, or the technique known today as collage, utilizing ready pieces of paper, newsprint, wallpaper, and other sources to create a composition. This pushed Cubism into its next phase, known as Synthetic, where the focus was not on breaking the object into its varied viewpoints but on flattening it out to remove any illusion of three-dimensionality.
