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  1. エドゥアール・マネ(フランス語: Édouard Manet, 1832年 1月23日 - 1883年 4月30日)は、19世紀のフランスの画家。近代化するパリの情景や人物を、伝統的な絵画の約束事にとらわれずに描き出し、絵画の革新の担い手となった。

  2. Édouard Manet (23 de gener de 1832 - 30 d'abril de 1883) fou un cèlebre pintor francès, un dels iniciadors de l'impressionisme. Biografia Els inicis. Nascut en el si d'una família tradicional, Manet va deixar aviat la carrera naval per dedicar-se a la pintura. La seva ...

  3. Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world ...

  4. Édouard Manet (Parijs, 23 januari 1832 – aldaar, 30 april 1883) was een 19e-eeuwse Franse kunstschilder en een sleutelfiguur in de overgang van het realisme naar het impressionisme. Met zijn losse schildertoets en vernieuwende onderwerpkeuze stond hij tevens aan de bakermat van de moderne kunst.

  5. Édouard Manet (Paris, 23 de janeiro de 1832 — Paris, 30 de abril de 1883) foi um pintor e artista gráfico francês e uma das figuras mais importantes da arte do século XIX, considerado por estudiosos de artes plásticas como um dos mais importantes representantes do impressionismo francês, embora muitas de suas obras possuam fortes características do realismo.

  6. Édouard Manet. “My dear friend,” wrote the artist Édouard Manet to the poet Stéphane Mallarmé in 1874, “Thanks. If I had a few supporters like you, I wouldn’t give a damn about the jury.” 1 The jury to which Manet refers was responsible for deciding the artworks that would, and would not, be selected for the Paris Salon, the most ...

  7. 17 de oct. de 2023 · Edouard Manet. 1832 - 1883. Manet was the elder statesman of the Impressionists, although he never participated in their exhibitions but continued to compete in the Salons. His unconventional subject matter drawn from modern life, and his concern for the artist's freedom in handling paint made him an important precursor of Impressionism.