Search results
En quatrième vitesse ( Kiss Me Deadly) est un film policier américain de Robert Aldrich sorti en 1955. Adaptant un livre de Mickey Spillane, le film est considéré comme un classique du film noir et une des meilleures réussites de son auteur.
30 de abr. de 2019 · Robert Aldrich’s 1955 film noir masterpiece Kiss Me Deadly begins with private detective Mike Hammer picking up a hitchhiking woman on a deserted road at night. Shortly thereafter two men kidnap them both and torture the woman to death. Hammer escapes and begins his quest for revenge. Mike Hammer is just as him name implies,….
Kiss Me Deadly is a harsh movie, it contains an array of characters that are dislikable in the extreme, nobody can be trusted, and everyone on the surface appears to be selfish in their respective motivations. Taking in torture, murder, violence on tap, and a wonderful mystery plot, ...
30 de ene. de 2020 · Kiss Me Deadly is an independently made 1955 American film noir, produced and directed by Robert Aldrich, and starring Ralph Meeker, Albert Dekker, Paul Stewart, Juano Hernandez, Wesley Addy, and with Maxine Cooper and Cloris Leachman in their feature film debuts.The screenplay was written by Aldrich and A.I. Bezzerides, based on Mickey Spillane's crime novel Kiss Me, Deadly.
Kiss Me Deadly puede referirse a: Una película dirigida por Robert Aldrich y protagonizada por Ralph Meeker. Un álbum del grupo británico Generation X. Categoría: Wikipedia:Desambiguación.
The Truculent Cinema of Robert Aldrich. A New York retrospective offers the opportunity to survey the career of an auteur who hammered out his legacy with indignant vigor. Brazen and bleak, Kiss Me Deadly is a film noir masterpiece as well as an essential piece of cold war paranoia, and it features as nervy an ending as has ever been seen in ...
20 de jun. de 2011 · Genres collide in the great Hollywood movies of the midfifties cold-war thaw. With the truce in Korea and the red scare on the wane, ambitious directors seemed freer to mix and match and even ponder the new situation. The western goes south in The Searchers; the cartoon merges with the musical in The Girl Can’t Help It. Science fiction becomes pop sociology in Invasion of the Body ...
