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Zhang Peili (born 1957, Hangzhou) graduated from the Zhejiang Academy of Fine Arts, Hangzhou, in 1984 with a degree in oil painting, and previously served as Dean of the New Media Department at the same institution, later renamed China Academy of Art. He…
In 2014, New York-based artist Lois Conner gifted one of pioneering Chinese artist Zhang Peili’s last paintings to The Australian National University’s newly opened Australian Centre on China in the World. Never exhibited and thought lost, the reemergence of Flying Machine (1994) prompts an exploration of the relation between painting and video in the oeuvre of Zhang Peili.
Zhang Peili (Q4122281) From Wikidata. Jump to navigation Jump to search. wife of Wen Jiabao. edit. Language Label Description Also known as; English: Zhang Peili. wife of Wen Jiabao. Statements. instance of. human. 1 reference. imported from Wikimedia project. Chinese Wikipedia. sex or gender. female. 0 references. family name. Zhang. 0 references.
Zhang Peili produced what is generally acknowledged to be the first video work in China, ’30 x 30’ in 1988. Together with other pioneering artists working in time-based artforms and new media, his work has been of undisputed significance in bringing world attention to the energy, ambition and innovation of Chinese contemporary art.
This work consists of twenty-five monochromatic photographs arranged in a grid of five rows. Each photograph features the same smiling young woman with other young people. The photographs become increasingly fuzzy, with the last being almost unreadable. To produce this work, Zhang Peili photographed a propaganda image from China taken in the 1950s.
Zhang Peili’s “Now That” did not extend the most hospitable greeting to its viewers. Upon arriving at the gallery, one immediately found oneself barricaded in an imposing open-roofed structure made of shiny metal railings, whose doors then opened up to allow passage into the space.
As an instigator of both the “’85 New Space” and the Lake Society, 1957-born Zhang Peili has always been an important driver and guide. The overall tone of “’85 New Space” was cold and solitary. Zhang Peili participated with four works from the two series of Swimmers and Music. As his first publicly exhibited works, they represent ...
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