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Michael Hoppen. Born and raised in Tokyo, Hiroshi Hamaya (1915 - 1999) is considered to have been one of the most eminent Japanese documentary photographers of the 20th century. Working as an aeronautical photographer and a freelance contributor to magazines during the 1930s, Hamaya began his career documenting his hometown from the sky and the ...
Hamaya Hiroshi (japanisch 濱谷 浩; * 28. März 1915 in Tokio; † 6. März 1999 ebenda) war ein japanischer Fotograf.. Leben. Hamaya begann als Fünfzehnjähriger zu fotografieren und studierte dann unter Watanabe Yoshio (渡辺 義雄; 1907–2000). 1937 begann er, als freischaffender Fotojournalist zu arbeiten. 1939 lernte er den Ethnologen Shibusawa Keizō kennen, der sein Interesse am ...
This article analyses the Snow Land photographic series by Japanese photographer Hiroshi Hamaya [1915–1999] in relation to issues of modernity, nostalgia and discourses of agrarianism in 1940s and 1950s Japan. Hamaya is one of Japan’s most celebrated
Hiroshi Hamaya, a pioneer man of the generation that inaugurated the reportage photography in the Japanese press, but whose work did not focus solely on the journalistic aspect. Defined as “photographer of the sky” by Japanese poet Daigaku Horiguchi, most of his works are full of tranquility, beauty and strength that reflect shots of moments that would become eternal.
Michael Hoppen. Born and raised in Tokyo, Hiroshi Hamaya (1915 - 1999) is considered to have been one of the most eminent Japanese documentary photographers of the 20th century. Working as an aeronautical photographer and a freelance contributor to magazines during the 1930s, Hamaya began his career documenting his hometown from the sky and the ...
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Hiroshi Hamaya. Although he traveled abroad extensively, both as a freelance photographer and as a contributing photographer for Magnum Photos, Hiroshi Hamaya (1915-1999) is best known for his images of Japan. Born in Tokyo, Hamaya produced a comprehensive document of this city, spanning the prewar period, the outbreak of World War II, and the ...
