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Robert Morris: Retrospective of Prints and Multiples 1952-1998, Maison Levanneur, Centre national de l'estampe et de l'art imprimé, Chatou, France. Labyrinth, Le Musée d'art contemporain, Lyon, France. 1998 Robert Morris: Retrospective of Prints and Multiples 1952-1998, Cabinet des estampes du Musée d'art et d'histoire, Geneva, Switzerland.
Robert Morris: Retrospective: Dirigido por Michael Blackwood. Con Rosalind Krauss, Robert Morris. Filmed at the Guggenheim Museum, "Robert Morris: Retrospective" is a detailed and compelling walk through of the artist's exhibition. Joined by renowned art critic and curator Rosalind Krauss, Morris leads the viewer through his work and offers his own feelings and theories behind the avant-garde ...
27 de nov. de 2014 · 1998 Robert Morris: Retrospective of Prints and Multiples 1952-1998, Cabinet des estampes du Musée d’art et d’histoire, Geneve, Suisse. Mirror Works and the film Mirror, 1969, Le Musée d’art contemporain, Lyon, France. Robert Morris: The Rationed Years and Other New Work, Leo Castelli Gallery, New York.
Robert Morris: Retrospective of Prints and Multiples 1952-1998, Cabinet des estampes du Musée d'art et d'histoire, Genève, Suisse Mirror Works and the film Mirror, 1969, Le Musée d'art contemporain, Lyon, France Robert Morris: The Rationed Years and Other New Work, Leo Castelli Gallery, New York, États-unis
‘Untitled‘, Robert Morris, 1965, reconstructed 1971 ‘Untitled‘, Robert Morris, 1965, reconstructed 1971. Skip navigation. Back to menu. Main menu. What's on; Art & Artists. The Collection Artists Artworks Art by theme Media Videos Podcasts Short articles Learning Art Terms Tate Research Student ...
30 de nov. de 2018 · Robert Morris (Kansas City, Misuri, 1931-Kingston, Nueva York, 2018) fue junto a Donald Judd uno de los grandes teóricos del minimalismo. La galería Leo Castelli.
22 de jul. de 2014 · Robert Morris's dance Site (Fig. 1) premiered in February 1964 at the Surplus Dance Theater in New York City. Choreographed and performed by Morris, Site also featured the visual artist Carolee Schneemann and several sheets of four-by-eight foot plywood. Although it may seem odd to include these wooden panels among the performers, they assumed an active role in the choreography.
