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Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching ...
16 de jun. de 2020 · What She Said: The Art of Pauline Kael (2020), a documentary made up of images and interviews from Kael’s victims and collaborators, will probably garner more attention now that Quentin Tarantino (an afficionado who is also participates in the film) has hinted that his next, and perhaps final movie will be about Kael’s career.
21 de feb. de 2020 · Documentary "What She Said: The Art of Pauline Kael" attempts to shine a light on the film critic's legacy. (Courtesy Juno Films) This article is more than 4 years old. Norman Mailer used to call ...
The life and work of the controversial film critic.
What She Said: The Art of Pauline Kael. 2019 · 1 hr 39 min. TV-PG. Documentary. The outspoken and popular film critic for ‘The New Yorker’ magazine, Pauline Kael, is showcased for her pioneering work and voice for movie lovers. Subtitles: English. Starring: Alec Baldwin Francis Ford Coppola John Boorman Rob Garver Christopher Duran.
WHAT SHE SAID: THE ART OF PAULINE KAEL DIRECTED AND EDITED BY ROB GARVER Wednesday, December 25 – Tuesday, January 7 12:30 2:30 4:30 7:00 9:10 “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was controversial, witty, and fiercely discerning.
16 de dic. de 2019 · The title of the new feature documentary by Rob Garver, “What She Said: The Art of Pauline Kael,” is a giveaway.In the film, the legendary critic for New Yorker is presented not merely as a key figure of film culture of the second half of the 20th century, but also as an artist in her own right: a woman for whom writing about movies constituted an act of self-discovery and emancipation.
