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31 de oct. de 2020 · Vor dem Faun des Praxiteles im Kapitolinischen Museum in Rom entdecken und analysieren zwei junge amerikanische Künstler, ... Hawthorne, Nathaniel: The Marble Faun. or the Romance of Monte Beni. Living reference work entry; First Online: 31 October 2020; pp 1–2; Cite this living reference work entry;
The Marble Faun: Or, The Romance of Monte Beni is a novel by British author Nathaniel Hawthorne published in 1860. The novel is set in Italy and focuses on four main characters: Miriam, Hilda ...
Hawthorne's novel of Americans abroad, the first novel to explore the influence of European cultural ideas on American morality. Although it is set in Rome, the fictive world of The Marble Faun depends not on Italy's social or historical significance, but rather on its aesthetic importance as a definer of 'civilization'.As in The Scarlet Letter, Hawthorne is concerned here with the nature of ...
In The Marble Faun, è l’animo insieme triste e speranzoso della giovane Hilda, al separarsi da Donatello e Miriam, a indicare, nel correlativo oggettivo del braccialetto etrusco donatole dall’amica, non un’adesione al mondo del vitalismo estetico, ma certo non una condanna. Giacomo Berchi 560 Gian Piero Maragoni, Le Muse bambine.
26 de feb. de 2006 · The Marble Faun; Or, The Romance of Monte Beni - Volume 2 Credits: Produced by Michael Pullen and David Widger Language: English: LoC Class: PS: Language and Literatures: American and Canadian literature: Subject: Psychological fiction Subject: Love stories Subject: Nobility -- Fiction Subject: Rome (Italy) -- Fiction
At all events, it appeared to afford Donatello exquisite pleasure; insomuch that he danced quite round the wooden railing that fences in the Dying Gladiator. “It is the very step of the Dancing Faun,” said Miriam, apart, to Hilda. “What a child, or what a simpleton, he is!
Nathaniel Hawthorne's The Marble Faun mingles fable with fact in a mysterious tale of American artists liberated from New England mores in Rome. In his introduction, Andrew Delbanco remarks that Hawthorne's novel is ultimately less about freedom than its costs. It is a book "that invites us to observe people in the grip of guilt, passion, or a ...
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