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Lucio Fontana (19 de febrero de 1899 – 7 de septiembre de 1968) fue un pintor, escultor y teórico italiano de origen argentino. Lo conocían sobre todo como el fundador del Spatialism y sus lazos con Arte Povera. Se ha convertido en un escultor internacional como escultor y pintor. En su trabajo se ocupó principalmente de los conceptos de ...
20 de may. de 2019 · Había que maltratar la obra. Quizá humillar el viejo concepto de la pintura. Convertir el cuadro en algo más roto, en un campo de batalla. Era 1938 y el escultor Lucio Fontana ases
¿Sabías que… Lucio Fontana participó en la redacción de más de cinco manifiestos sobre el Espacialismo? Entre los años 1946 y 1952, Lucio Fontana (Rosario, Argentina, 1899–Milán, Italia, 1968) fue coautor de una serie de manifiestos que reunieron las reflexiones de estudiantes y profesores de arte sobre la relevancia de incluir una cuarta dimensión en el arte.
Lucio Fontana explored the concept of space and his interest in technological and scientific breakthroughs drove him to experiment with all kinds of media. As a painter with a grounding in sculpture, he strove to introduce the third dimension into his canvases by means of perforations and slashes, and used a broad variety of materials for his sculptures, from ceramic and metal to neon and UV ...
Lucio Fontana pierces the canvas, thus opening the image area, entirely doing without the conventional illusionist means of composition. The series of the "Pietre" is made in the 1950s, stones and canvasses beset with pieces of color glass that make for elevation that extend the image space into real space.
The Fondazione Lucio Fontana was established by Teresita Rasini Fontana on November 29, 1982. Although it has been operating under this form since the mid-1980s, its activities began much earlier, when around 1970 the Archivio Lucio Fontana was established.
Lucio Fontana (1899–1968) was born in Rosario de Santa Fé, Argentina and raised in Milan. He moved back to Argentina in 1922 where he worked as a sculptor in his father's studio for several years. In 1926, he participated in the first exhibition of Nexus, a group of young local Argentinian artists.
