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Aubrey Vincent Beardsley was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the aesthetic movement which also included Oscar Wilde and James McNeill Whistler. Beardsley's contribution to the development of the ...
The “Beardsley Boom” of April 1893 began when Aubrey was featured in the keynote article of The Studio, an art publication in London, titled “A New Illustrator: Aubrey Beardsley.”. Within this article was also a drawing from “The Climax” of Oscar Wilde’s Salomé entitled J’ai baisé ta bouche, Iokanaan. When planning their ...
Aubrey Beardsley a scris, în calitate de scriitor, o povestire erotică, rămasă neterminată, Under the Hill, bazată pe legenda poetului și cavalerului german Tannhäuser (d). El a fost, de asemenea, și un caricaturist , realizând chiar și câteva caricaturi politice asemănătoare ca manieră și ilustrând stilul umorului ireverent al prietenului său, Oscar Wilde.
15 de dic. de 2023 · Few artists have stamped their personality so indelibly on their era as Aubrey Beardsley. He died in 1898 at the age of just 25 but had already become one of the most discussed and celebrated artists in Europe. His extraordinary black-and-white drawings were instantly recognisable. Then, as now, he seemed the quintessential figure of 1890s ...
オーブリー・ヴィンセント・ビアズリー （ 英語: Aubrey Vincent Beardsley, [ˈɔːbri ˈvinsənt ˈbiəd͡zli], 1872年 8月21日 - 1898年 3月16日 ）は、19世紀 イギリス の イラストレーター 、 詩人 、 小説家 。. ヴィクトリア朝 の 世紀末美術 を代表する存在。. 悪魔 的な鋭さ ...
16 de feb. de 2024 · In 1894 Aubrey Beardsley became the first Art Editor for The Yellow Book, a new literary periodical.There were hostile reactions to The Yellow Book from the wider press, who were alarmed by the shocking and ‘immoral’ illustrations and writing.The Westminster Gazette even commented that the publication should be made illegal. Things only got worse for Beardsley and The Yellow Book in 1895.
Hace 6 días · Aubrey Beardsley (1872 – 98) was an artist whose illustrative work burned brightly, but briefly, until his death aged just 25. To many, he and his art personify the fin de siècle 1890s, 'the Beardsley age' of decadence, of the rejection of moral and aesthetic convention in favour of perversity and scepticism, and of delight in the exotic, the scandalous, the sensational.
