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  1. If you trawl for reviews of this film you will find pretty much all the cinematic words used to describe a non big budgeted mainstream film that many love. Re: Cult, Camp, Schlock and etc, what ultimately transpires with Lady in a Cage is a film that everybody should understand why some love and some hate it. One film lovers camp schlocky class...

  2. Lady in a Cage is a film directed by Walter Grauman with Olivia de Havilland, James Caan, Jennifer Billingsley, Jeff Corey .... Year: 1964. Original title: Lady in a Cage. Synopsis:You can watch Lady in a Cage through flatrate,Rent,buy,free on the platforms: Hoopla,Google Play Movies,Amazon Video,Apple TV,YouTube,Vudu,Microsoft Store,Kanopy

  3. Alone in her residence over a sweltering holiday weekend, a widow (de Havilland) is accidentally trapped in her home elevator during a power failure. Her met...

  4. Brief Synopsis. A Lady (Olivia De Havilland) gets trapped inside a home elevator after the electricity goes out. During a hot summer day, while she presses a button inside the elevator to summon help from the alley, she unknowingly attracts looters who in turn try hurting her and steal all her personal belongings.

  5. In all, Lady in a Cage retains its impact even after more than 40 years. Our dependence on electric power (and energy in general) – and our social ills – are just as severe. If not worse. So, forget It’s A Wonderful Life! Lady in a Cage is the much more memorable Holiday Movie. Lady in a Cage (movie 1964) cast & crew. Director: Walter ...

  6. When the power goes out in a wealthy widow's mansion, Mrs. Hilyard is trapped in her private elevator. Relying on the emergency alarm to attract attention, the injured woman is shocked that the only person to answer the call is an alcoholic derelict. Thriller 1964 1 hr 33 min. 20%.

  7. 2 de jul. de 2016 · Where Lady in a Cage differs from these films is in its gritty urban realism and distinctive visual style. The film’s reception, however, was far from enthusiastic. Following its American release on 10 June 1964, a critic in Time magazine waspishly claimed that the film ‘adds Olivia de Havilland to the list of cinema actresses who would apparently rather be freaks than be forgotten.