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Haskell Wexler (1922 - 2015) fue un director de fotografía y personaje de Estados Unidos conocido por Alguien voló sobre el nido del cuco, La conversación, En el calor de la noche, ¿Quién teme a Virginia Woolf?, Mulholland Falls (La brigada del sombrero), La historia del cine: Una odisea (Serie de TV), El caso de Thomas Crown, Colors: Colores de guerra, América, América y Tres fugitivos
Haskell Wexler (* 6. Februar 1922 in Chicago, Illinois; † 27. Dezember 2015 in Santa Monica, Kalifornien) war ein US-amerikanischer Kameramann und Regisseur Leben und Wirken. Nach dem Besuch der University of California, Berkeley und Dienst in der US-amerikanischen ...
27 de dic. de 2015 · Influential cinematographer and social documentarian Haskell Wexler, who won Oscars for his work in both arenas, has died.He was 93. Wexler’s death on Sunday was confirmed with a post on the ...
28 de may. de 2013 · For Haskell Wexler, the director of Medium Cool, and the Oscar-winning cinematographer of Who’s Afraid of Virginia Woolf? and Bound for Glory, writing about his ten favorite Criterion films became a trip down memory lane. His responses, made up of the impressions he associates with each film, remind us that our opinions on movie are inextricable from our own personal experiences of them.
NEW YORK -- At 47, Haskell Wexler was one of the nation's most successful cameramen. He'd won an Academy Award in 1966 for his work on Mike Nichols' "Who's Afraid of Virginia Woolf?" He had been the cinematographer on films by Elia Kazan ("America, America"), Joseph Strick ("The Savage Eye"), Tony Richardson ("The Loved One") and Norman Jewison ("In the Heat of the Night," "The Thomas Crown ...
29 de dic. de 2015 · Wexler won Oscars for Who's Afraid of Virginia Woolf and Bound for Glory, and was nominated for One Flew over the Cuckoo's Nest and Matewan. He died Sunday. He was 93. Originally broadcast in 1993.
27 de dic. de 2015 · Haskell Wexler began his feature filmmaking career as a cinematographer in the late 1950s, ... Wexler also helmed “Latino” (1985), a taut drama about an Hispanic Vietnam veteran (Robert Beltran) assisting in the training of the US-backed Contras in Nicaragua. The film divided critics and audiences along partisan political lines.
