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  1. Robert Goldwater (November 23, 1907 – March 26, 1973) was an American art historian, African arts scholar and the first director of the Museum of Primitive Art, New York, from 1957 to 1973. He was married to the French artist and sculptor Louise Bourgeois.

  2. Robert Goldwater was a scholar of modern art and African art, who wrote several books and founded the Museum of Primitive Art. He also advised Nelson Rockefeller on his art collection and facilitated its transfer to The Metropolitan Museum of Art.

  3. Learn about the origins and evolution of The Robert Goldwater Library, a departmental library of The Met that documents indigenous visual arts from Africa, Oceania, and the Americas. The library was founded by Robert Goldwater, a pioneering art historian and former director of the Museum of Primitive Art.

  4. Robert Goldwater (1907-1973) was a pioneer in the study of primitivism and modern art, and the director of the Museum of Primitive Art. He wrote influential books on Gauguin, symbolism, and African sculpture, and taught at NYU and Queens College.

  5. 1 de oct. de 2013 · This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what ...

  6. The Publications of Robert Goldwater (1907-1973) TT H E PASSING of Robert Goldwater is a sad loss to the many years as its director, continued this important world of art, and particularly to all who personally effort. knew and admired this great critic and scholar. More recently, he was deeply engaged with the plan- His pioneering research and ...

  7. Overview. Robert Goldwater. (1907—1973) Quick Reference. (1907–73) American art historian. He was born in New York and studied at Columbia College (BA 1929), Harvard University (MA 1931), and New York University (PhD 1937). From 1934 he held various teaching positions, and in 1957 he became professor of art history at New York University.

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