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  1. Paul D'Amour (Spokane, Washington, 12 de mayo de 1967) es un músico estadounidense y bajista original de la banda Tool. El sonido de su bajo era reconocible por el tono agresivo que desarrolló con su Rickenbacker 4001CS, que se puede oír en el primer álbum de estudio de Tool, Undertow.

  2. en.wikipedia.org › wiki › Paul_D'AmourPaul D'Amour - Wikipedia

    Paul D'Amour (born May 12, 1967) is an American musician and was the first bassist for Tool. His bass sound is recognized by the aggressive picked tone he developed with his Chris Squire Signature Rickenbacker 4001CS, which can be heard on Tool's first full-length album, Undertow.

  3. 8 de ene. de 2020 · Known solely at the time as the heavy-picking bassist behind powerful songs such as “Sober” and “Prison Sex,” D’Amour immediately began taking on projects that showcased his diverse range as a musician: He played guitar in the psychedelic pop band Lusk, formed a cover band called Replicants, flaunted his multi ...

  4. 14 de may. de 2024 · Bassist Paul D'Amour left Tool in 1995 and was replaced by Justin Chancellor that same year. Now in a new interview with Guitar World, D'Amour explained that his decision to leave the...

  5. 29 de nov. de 2022 · Paul D'Amour is a current member of Ministry, but back when he was the original bassist of Tool, he was inadvertently drugged by Ministry frontman Al Jourgensen. Get that story as well as the...

  6. www.pauldamour.com › bioBio | mysite-2

    Paul D’Amour is a multi-platinum recording artist and award-winning songwriter, multi-instrumentalist, producer, and composer. Formerly a member of TOOL, D’Amour’s distinctive songwriting and bass-playing style placed him at the forefront of the creation of a new genre in rock music in the Grammy-winning prog heavyweight band.

  7. www.youtube.com › channel › UCiSyOLun7Y3Z7Xy80_8jZNQPaul d'Amour - YouTube

    Inspiré par la littérature, la poésie et le cinéma (Verlaine, Gérard de Nerval, Houellebecq, Jodorowsky, Dan Fante, Jean Eustache…), Paul dAmour propose une réflexion sur le désir au ...