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We Must Become the Pitiless Censors of Ourselves is the third album by American musician John Maus, released on June 27, 2011. Its title is derived from French philosopher Alain Badiou 's "Fifteen Theses on Contemporary Art". Maus said that he wrote the album in a "search for the perfect pop song". Upon release, the album was met ...
8 de jul. de 2011 · We Must Become the Pitiless Censors of Ourselves, his latest full-length, is the most vibrant and toothsome expression of Maus' pursuits yet. He keeps his vocals awash in gothic...
28 de jun. de 2011 · We Can Breakthrough 11. Believer We Must Become The Pitiless Censors Of Ourselves breaks new ground for John Maus; the shirt-pulling and air punching of his impassioned live performance is finally captured in all its frenzied appeal alongside his typically tender inner space.
28 de jun. de 2011 · Release Date: Jun 28, 2011. Summary. Critic Reviews. User Reviews. Details & Credits. Metascore. 75. Generally favorable reviews based on 20 Critic Reviews What's this? User Score. 8.4. Universal acclaim based on 16 Ratings. Summary: This is the latest album for the experimental composer from Minnesota. Buy Now. Buy on.
We Must Become the Pitiless Censors of Ourselves is the third album by American lo-fi musician John Maus, released on June 27, 2011. Its title is derived from French philosopher...
7 de jul. de 2011 · John Maus: We Must Become Pitiless Censors of Ourselves – review. (Upset the Rhythm) Michael Hann. Thu 7 Jul 2011 17.00 EDT. T he early press about John Maus's third album suggested...
6 de jul. de 2011 · On his third album, John Maus continues his pursuit of immediacy-in-action mixed with a certain calm, developing a further tension that infuses both his music and words. Like pal Ariel Pink’s Before Today, John Maus’ We Must Become the Pitiless Censors of Ourselves is steeped in ’80’s magic.
