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  1. From the early 1980s until the end of her life, Vinciarelli created evanescent watercolor-and-ink studies of hypothetical architectural spaces. Her work has been analyzed by scholars and critics, including Ada Louise Huxtable and K. Michael Hays in Not Architecture But Evidence That It Exists .

  2. Lauretta Vinciarelli. Orange Sound, project. 1999. Watercolor and colored ink on paper. 30 x 22" (76.2 x 55.9 cm). Mrs. Gianluigi Gabetti Purchase Fund. 1417.2000.1. © 2024 Lauretta Vinciarelli. Architecture and Design.

  3. 11 de mar. de 2021 · She used the grid and the bi-dimensional plane to consider the notion of a spatial fabric in her works of the 1970s and, later, in her collaborations with Donald Judd. Lauretta Vinciarelli, drawing for Generative System, c.1975, ink on vellum, dimensions unknown. Judd Foundation.

  4. Lauretta Vinciarelli . is made possible . with support from Ronnie Heyman and Loren Pack & Robert Beyer Exhibition Checklist. Short Wall: I. Lauretta Vinciarelli and Leonardo Fodera, Puglia project, 1975–1977. Ink and colored pencil on mylar. 17 1/4 ×. 2nches (44 3/4 i ×58 cm) Lauretta Vinciarelli and Leonardo Fodera, Puglia project, 1975 ...

  5. 25 de mar. de 2019 · Lauretta Vinciarelli's Puglia Drawings. A drawing from the Puglia project, shared exclusively with AD PRO. Lauretta Vinciarelli and Leonardo Fodera, Puglia project, 1975-1977. Ink and...

  6. Lauretta Vinciarelli, drawing for The Seven Courtyards series, 1981, pastel, graphite, and ink on vellum, 20 × 32 in. (50.8 × 81.3 cm). Courtesy Judd Foundation. The Lauretta Vinciarelli Papers, Judd Foundation Archives, Marfa, Texas.

  7. 20 de nov. de 2004 · Italian, 1943–2012