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14 de abr. de 2011 · A project conceived by Chris Watson originally for "Pestival" in 2009 to explore the vocal harmonies between humans and honey bees in a unique choral collaboration around and within the hives of an English country garden.
Here's is a fascinating release from Chris Watson & Marcus Davidson. There are only two tracks on Cross-Pollination. The first 28 minute piece, titled Midnight At The Oasis, is a time compressed recording by Watson, from sunset to sunrise, if South Africa’s Kalahari desert.
ROTOR discos: CROSS POLLINATION ,CHRIS WATSON & MARCUS DAVIDSON, Nuevo disco de Chris Watson para el sello TOUCH. Watson (ex-Cabaret Voltaire, ex-The Hafler Trio) se ha convertido en los últimos años en un referente fundamental dentro del arte sonoro basado en grabaciones de entornos naturales.
Cross-Pollination collects two long-ish pieces of Chris Watson, a UK-based “environmental sound archivist” who must also be admired as a founding member of Cabaret Voltaire (“Voice of America,” anyone?).
Chris Watson is one of the world's leading recorders of wildlife and natural phenomena, and for Touch he edits his field recordings into a filmic narrative.
Of all earthly creatures, insects come the closest to resembling aliens: exoskeletons, multifaceted eyes, barbed legs, and an impenetrable collectiveness. Their sonic world is highlighted on Cross-Pollination. Central to the two tracks on this CD are recordings of insects by Chris Watson, renowned nature-sound recordist.
28 de jul. de 2011 · The latest recording on Touch once again features field recordist Chris Watson, this time along with composer Marcus Davidson on one of its two lengthy tracks. Watson opens solo with "Midnight at the Oasis."
