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  1. Mary Lou Williams was one of the major stride and swing performers who successfully made the transition to bop. For Benny Goodman in 1947, she composed two bop-influenced pieces: “Lonely Moments” and “Whistle Blues.”. For Dizzy Gillespie’s big band in 1949, she composed the bop fairy tale “In the Land of Oo Bla Dee.”.

  2. 10 de sept. de 2019 · By 1936, then-25-year-old Mary Lou Williams' reputation already preceded her. The pianist's primary gig — Kansas City band Andy Kirk and His Clouds of Joy — was taking off, booked for...

  3. Mary Elfrieda Scruggs, conocida en el mundo del jazz como Mary Lou Williams ( Atlanta, Georgia, 8 de mayo de 1910 - Durham, Carolina del Norte, 28 de mayo de 1981) fue una pianista, arreglista y compositora estadounidense que desarrolló su trabajo con músicos de swing, bebop e, incluso, free jazz . Historial.

  4. 14 de jun. de 2023 · Williams, Mary Lou - Decca 1155 (1936) by. Mary Lou Williams, piano (& drums, bass) Publication date. 1936-03-11. Topics. 78rpm Jazz, Decca, Williams Mary Lou, Piano. Mary Lou Williams (Mary Elfrieda Scruggs; 08.05.1910 - 28.05.1981): American jazz pianist, arranger and composer. She wrote hundreds of compositions and arrangements ...

  5. www.classicjazzstandards.com › 2020/09/15 › mary-lou-willimas-1910-1981-primera-parteMARY LOU WILLIAMS (1910-1981). Primera parte

    15 de sept. de 2020 · “Until the Real Thing Comes Along” (1937) y “I Won’t Tell You A Soul (I Love You)” (1938) alcanzaron el puesto número uno, en el que permanecieron durante dos semanas, y “Christopher Columbus” (1936) y “What Will I Tell My Heart?” (1937), el número dos también durante dos semanas cada canción.

  6. Hace 4 días · Mary Lou Williams (born May 8, 1910, Atlanta, Ga., U.S.—died May 28, 1981, Durham, N.C.) was a jazz pianist who performed with and composed for many of the great jazz artists of the 1940s and ’50s. Williams received early instruction from her mother, a classically trained pianist.

  7. In 1937, she produced In the Groove (Brunswick), a collaboration with Dick Wilson, and Benny Goodman asked her to write a blues song for his band. The result was "Roll 'Em", a boogie-woogie piece based on the blues, which followed her successful "Camel Hop", named for Goodman's radio show sponsor, Camel cigarettes.