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Hace 3 días · André Bazin’s essay La Mort tous les après-midi (“Death Every Afternoon”), first published in 1949, offers a pioneering reflection on the relationship between film and death. Bazin explores how humans engage with real death and violence by analysing the spectacle of mortality through ritualised forms, such as the bullfight.
Hace 2 días · Toda esa creencia, arraigada profundamente en nosotros, tiene su origen ideológico en la imagen especular occidental, que surge en El Renacimiento y llega a su paroxismo en las ideas de André Bazin, en la década de 1950, sobre el poder de la cámara para captar emanaciones de lo real 2 Cfr., Bazin, 1981, pp. 9-17; pp. 63-80.
27 de sept. de 2024 · The concept of auteurship was central to the French New Wave and played a crucial role in defining the movement. In the Cahiers du Cinéma, André Bazin quotes Eric Rohmer (another new wave director) when Bazin defines auteurship in his article “La Politique Des Auteurs” as “that in art it is the auteurs, and not the works ...
Hace 4 días · On the other hand, in The Myth of Total Cinema, Andre Bazin argues that cinema is meant to be a direct imitation of reality. These two filmmakers have contrasting opinions; Bazin uses phrases like “faithful copy” and thinks that “cinema owes nothing to the scientific spirit,” while Eisenstein seemed excited about film taking ...
Hace 2 días · This perspective, deeply influenced by André Bazin and Susan Sontag, posits that photography holds a privileged relationship with truth, capturing moments as they truly existed in time and space. For these theorists, photographs are fundamentally different from other forms of representation, such as painting or drawing, because of their indexical link to reality.
Hace 5 días · Bazin focuses more on the origin and goal of filmmaking as opposed to one of the four elements of filmmaking; his main concern is with the recording and recreation of reality. Cinema, Bazin argues, was always an idea, even before the developments of technology that would have made it possible.
Hace 4 días · He believes that shots in a montage can be organized in a certain way to create emotional effect rather than just information. Andre Bazin’s article A Myth of Total Cinema discusses the concept stated in the title. Bazin believed that film was invented to capture reality in its entirety and that it aimed to be completely realistic and immersive.
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