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  1. Hace 4 días · Comenzó su carrera pintando frescos para iglesias y catedrales florentinas y trabajó con el grabador Antonio del Pollaiuolo. Sus primeras obras, como la Virgen con Niño y san Juan Bautista, derivan de la era con Lippi, aunque evidencian un mayor interés por la experimentación espacial y lumínica, ...

  2. Hace 2 días · Hercules and Deianira, Antonio del Pollaiuolo, 1475/80 (Yale University Art Gallery, New Haven, CT, USA). And here we have Eliot’s “choice of pyre or pyre,/ to be redeemed from fire by fire.” Fire represents the passions from which Hercules needs to be freed and purified and, at the same time, it stands for the fiery, divine Logos, which will burn them out.

  3. Hace 2 días · Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.

  4. Hace 5 días · The teenager also studied under Antonio Pollaiuolo, who ran a nearby workshop. Later, Leonardo began working independently in Florence, where he made pencil and pen sketches of objects such as...

  5. Hace 2 días · In Verrocchio’s renowned workshop Leonardo received multifaceted training that included painting and sculpture as well as the technical-mechanical arts. He also worked in the next-door workshop of artist Antonio del Pollaiuolo, a sculptor, painter, engraver, and goldsmith, who frequently worked with his brother, Piero.

  6. Hace 3 días · La Loba Capitolina es una de las obras referenciales de los Museos Capitolinos en Roma. Los Museos Capitolinos conforman una ventana hacia el Imperio Romano, ya que la mayoría de las obras allí presentes pertenecen a la ciudad de Roma, Italia.. Esta joya histórica se puede visitar en Roma, todos los días de 9.30 a 19.30, a excepción del 24 y 31 diciembre que solo abre sus puertas de 9.30 ...

  7. Hace 4 días · 10. Toward the left side of the entrance to San Pietro in Vincoli is the tomb of artist Antonio Pollaiuolo, an artist, metal-worker, and goldsmith in Rome during the Renaissance. He is best known for adding the infants Remus and Romulus to which already-existing sculpture?