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Australian Theatre for Young People specialises in integrating professional theatre practice with supportive youth theatre process. We love working with all levels of the arts industry, from the most celebrated national companies to the smallest youth theatres.
- About
Be indisputably recognised nationally and globally as a...
- Workshops
At ATYP we believe the best way to learn is by creating and...
- Writing
Our national programs allow emerging playwrights to develop...
- Education
CASTING CALL Australian Theatre for Young People (ATYP) is...
- National Youth Arts Program
OVERVIEW. Since the founding of ATYP in 1963 (the country’s...
- History
The Australian Theatre for Young People (ATYP) came to life...
- About
Australian Theatre for Young People (ATYP) is a not-for-profit national youth theatre company located in Woolloomooloo, New South Wales, Australia. It was founded in 1963 by Eleanor Witcombe.
ATYP On Demand is a platform that allows students and teachers across Australia to access live theatre experiences from the Australian Theatre for Young People (ATYP) for free. The platform offers award-winning productions and educational resources for students of different ages and learning needs, as well as links to the national curriculum.
Australian Theatre for Young People (ATYP) is the national youth theatre company of Australia. We exist to connect young people with the professional theatre industry locally, regionally and nationally.
This year we continue bringing fully professional youth theatre productions to Sydney’s doorstep for watch with your friends, family, grandparents, or all of the above. However, rather than launching a season, we are releasing our major productions one event at a time.
The ATYP On Demand platform gives young people and educators around Australia the opportunity to be inspired by the extraordinary talent of young artists. These are plays performed by people their age, with characters their age, told with the subtlety, sophistication, and care we expect from professional theatre.
