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  1. El brillante y penetrante trabajo de guitarra de John McLaughlin se convierte en una joya en concierto con los patrones de batería improvisados de Billy Cobham en «Dream». «Sister Andrea» es lo más parecido a una melodía pop de estructura simple en el LP”.

  2. Between Nothingness & Eternity is the first live album by jazz fusion band Mahavishnu Orchestra, released on November 1973 by Columbia Records. According to the Mahavishnu Orchestra Gigs listing by Walter Kolosky, it was recorded live at the Schaefer Music Festival, held in Central Park, New York, on August 17 and 18, 1973, even though available recordings indicate that all of the material ...

  3. Esta banda, una suerte de fusión jazz-rock donde coexistían músicos de alta factura, fue creada por el guitarrista inglés John McLaughlin, quien seleccionó al corpulento baterista panameño Billy Cobham, al bajista irlandés Rick Laird, al teclista checo Jan Hammer y el violinista estadounidense Jerry Goodman, para desgranar una música ...

  4. 27 de abr. de 2024 · JJ 04/74: John McLaughlinBetween Nothingness And Eternity. Fifty years ago Steve Voce thought the guitarist's latest release an outstanding jazz record despite its rock content. First published in Jazz Journal April 1974.

  5. This live version of dream is the best ever and it has several highlights: Jerry’s solo, which ends with a powerful unisono riff, and Johns unique improvisation with a surprising drum-guitar-dialogue.

  6. This was followed by the release of their first live album Between Nothingness & Eternity, which featured material from the Trident sessions. [1] Later in 1973, Hammer and Goodman expressed their frustrations about McLaughlin's leadership in an interview for Crawdaddy magazine.

  7. Mahavishnu Orchestra - Between Nothingness & Eternity (live) (1973) A live album of the classic MO line-up, McLaughlin, Hammer, Goodman, Laird and Cobham. The material played comes from the later released lost trident sessions and was unheard of at time of at the time of this vinyl release.

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