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  1. Hace 6 horas · Claudio Monteverdis «L’Orfeo» beschwört gleich zu Beginn der europäischen Operngeschichte die visionäre Macht der Musik über den Tod. Doch Evgeny Titov will in seiner pessimistischen ...

  2. Hace 6 horas · Claudio Monteverdi (1567-1643). Monteverdi is considered the bridge between the Renaissance era and the Baroque era. His most significant contribution to the Baroque era was the development of Italian opera. His most famous piece is his opera “L’Orfeo,” which premiered in 1607.

  3. en.wikipedia.org › wiki › PizzicatoPizzicato - Wikipedia

    Hace 6 horas · History. The first recognised use of pizzicato in classical music is found in Tobias Hume's Captain Humes Poeticall Musicke (1607), wherein he instructs the viola da gamba player to use pizzicato ("thumpe"). Another early use is found in Claudio Monteverdi's Il combattimento di Tancredi e Clorinda (around 1638), in which the players are instructed to use two fingers of their right hand to ...

  4. Hace 6 horas · Claudio Monteverdi’s evocative pieces like “And it is therefore true”, “Golden hair”, and more, immerse audiences in an emotional tapestry of profound sentiments and stirring melodies. Giacomo Carissimi’s poignant compositions like “Vaghi ray burning pupils” and “My heart is a sea of tears” offer emotive depth and lyrical beauty.

  5. Hace 6 horas · Claudio Monteverdi (1567-1643). Monteverdi is considered the bridge between the Renaissance era and the Baroque era. His most significant contribution to the Baroque era was the development of Italian opera. His most famous piece is his opera “L’Orfeo,” which premiered in 1607.

  6. Hace 6 horas · Musical director Emiliano Gonzalez Toro leads Ensemble I Gemelli in this 2021 performance of Claudio Monteverdi's late-Renaissance opera L'Orfeo at the Théâtre Graslin in Nantes, France. Among the soloists are Toro himself (Orfeo), Emőke Baráth (Euridice), Natalie Perez, Douglas Williams, Fulvio Bettini, Alix Le Saux, Jérôme Varnier, and Mathilde Etienne.

  7. Hace 1 día · Neben der Sestina von Claudio Monteverdi, die als Trauergesang des Orpheus im Zentrum des Programms erklingt, wird die Erzählung mit Kompositionen von Henry Purcell, William Byrd, Philipp de Monte musikalisch entfaltet. Diese Kombination verspricht eine nicht alltägliche musikalische Erfahrung.

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