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  1. Drama. 124. PRECAUCIÓN. Dirigida por Olivier Assayas, Kristen Stewart obtuvo un histórico Premio César con Viaje a Sils Maria, pero Binoche roba cámara, en uno de los mejores momentos de su carrera, como una estrella en declive al centro de una historia al estilo de Bergman sobre dualidades, reflejos y dinámicas de poder. Ver tráiler.

  2. Sils Maria (Clouds of Sils Maria) - Un film di Olivier Assayas. Olivier Assayas racconta il percorso di crescita di una donna attraverso una narrazione formalmente impeccabile, nitida come un cristallo e tagliente come un diamante. Con Juliette Binoche, Kristen Stewart, Chloë Grace Moretz, Lars Eidinger, Johnny Flynn. Drammatico, Francia, 2014.

  3. Watch Clouds of Sils Maria | Disney+. A film star comes face-to-face with an uncomfortable reflection of herself.

  4. Las nubes de María es una película dirigida por Olivier Assayas con Juliette Binoche, Kristen Stewart, Chloë Grace Moretz, Johnny Flynn .... Año: 2014. Título original: Sils Maria (Clouds of Sils Maria). Sinopsis: Maria Enders (Binoche), 20 años después de hacerse una actriz famosa por su interpretación de Sigrid, el personaje que fascinó a Helena y la llevó al suicidio, deberá ...

  5. 16 de jun. de 2016 · Picture 8/10. Olivier Assayas’ Clouds of Sils Maria gets a Blu-ray upgrade after recently receiving a DVD-only release from Paramount. The film is presented in its original aspect ratio of 2.39:1 on a dual-layer disc in 1080p/24hz high-definition. It’s based on a 2K scan of the original 35mm negative. The film is only a couple of years old ...

  6. CLOUDS OF SILS MARIA Olivier Assayas France, Germany, 2014. Drama. 124. CAUTION. Olivier Assayas directed Kristen Stewart to a history-making César Award win in Clouds of Sils Maria, but it’s La Binoche who really steals the show: on career-best form as the fading star at the slippery center of this Bergmanesque tale of dualities, mirror ...

  7. 10 de abr. de 2015 · It isn’t a story of predatory ambition or women stabbing each other in the back; all the characters in the movie have their reasons, but the film, at least in the show business aspects of its story, is concerned with the paradox of self-preservation within an enterprise that requires you have to invest your trust with so many other people.