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Hace 17 horas · There was a distinct difference between Kahnweiler's Cubists and the Salon Cubists. Prior to 1914, Picasso, Braque, Gris and Léger (to a lesser extent) gained the support of a single committed art dealer in Paris, Daniel-Henry Kahnweiler, who guaranteed them an annual income for the exclusive right to buy their works.
Hace 3 días · But Daniel-Henry Kahnweiler, his dealer, introduced him to paintings by Cubism’s pioneers Picasso, Gris, Braque, and Léger. Masson clearly admired these works: much of his early period, such as the work Card Trick (1923), shows Masson to be a Cubist turning surreal.
Hace 2 días · Modernism is an early 20th-century movement in literature, the visual arts and music, emphasizing experimentation, abstraction and subjective experience. Philosophy, politics and social issues are also aspects of the movement which sought to change how 'human beings in a society interact and live together'. [2]
Hace 17 horas · Daniel-Henry Kahnweiler: deutsch-französischer Galerist und Kunsthändler 94 11. Januar Wilhelm Schneider: deutscher Linguist, Germanist und Pädagoge 93 12. Januar Harry Braun: deutscher Dermatologe 70 12. Januar Giovanni Dioguardi: US-amerikanischer Gangster in New York City 64 12. Januar Heinrich Happe: deutscher Landwirt und Politiker, MdB ...
Hace 4 días · This phase culminated in works like Picasso's Portrait of Daniel-Henry Kahnweiler and Braque's The Portuguese (The Emigrant), which showed a convergence of their styles and techniques. They introduced innovative elements like stenciled letters and numbers in their paintings, which had a significant impact on modern art.
Hace 2 días · Daniel-Henry Kahnweiler (1910), Pablo Picasso; The Philosopher’s Conquest (1913-14), Giorgio de Chirico; Improvisation No. 30 (1913), Vasily Kandinsky; Sculpture and historic artifacts: Buddha Shakyamuni Seated in Meditation (Dhyanamudra) India Tamil Nadu (about 12th century) Face Mask – Ngady Mwaash (19th-20th century), Kuba
Hace 17 horas · Η πρώτη του ατομική έκθεση έγινε το 1908 στην γκαλερί Daniel-Henry Kahnweiler. Την ίδια χρονιά, ο Matisse απέρριψε τα τοπία του για το Salon d`Automne για τον επίσημο λόγο ότι ήταν φτιαγμένοι από «μικρούς κύβους».
