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17 de ene. de 2019 · Ed Fornieles made a name for himself a few years back as the poster boy for post-internet art through a series of immersive performances in London, which included a gallery frat party at Guest Projects (“Animal House”, 2011) and an award ceremony honouring Zac Efron at Serpentine Gallery Pavilion (“The Dreamy Awards”, 2012).
In Addition to CEL, Ed Fornieles developed DEBRIEF (2019), a video work, which allowed each participant to reflect and talk about their experiences cultivated within the simulation. Participants described the environment of CEL as painfully familiar and some felt reminded of their teenage years, where violence was acceptable to demonstrate and maintain a position of power.
ED FORNIELES — I like the word “performance,” and it can be applied to a lot of the online as well as offline work I do. I find it exciting to mimic structures that happen to be about, like, Facebook. The performances are simply a platform people inhabit, generating content as they go along.
Ed Fornieles first solo gallery exhibition, The Hangover Part II, constructed from the detritus of Animal House, was organized at the Carlos/Ishikawa Gallery, London in 2011. Other significant sculptural installations include Characterdate, Frame (2012), at the Frieze Art Fair, London, where he continued demonstrating his interest in American college culture.
Mother. Ed Fornieles 2017. ELEKTRA. Montreal, Canada. Mother is presented here as part of the Finiliars, an ongoing series created by the artist during a residency. at Arsenal contemporary Montreal in 2016. While the Mother sculpture. embodies the idea of affection and maternal care, the video Tulip Fever considers the possible relations between.
Ed Fornieles, The Finiliar, installation view at Arsenal Contemporary, New York (2017). Image courtesy of the gallery. It is precisely this transposition of utility that lies at the heart of Fornieles’ exhibition—forsaking the kind of data that makes meaningful market analysis possible, The Finiliar instead provides the viewer with instant aesthetic gratification; a daring move indeed.
4 de dic. de 2020 · Artists: Ed Fornieles, Gašper Kunšič, Max Kolten Curated by: Alexandra-Maria Toth November 9 – December 11 2020 New Jörg, Vienna In “the will to change”, writer and literary scholar bell hooks describes the patriarchy’s perpetual effect on men and society as a whole and how the time is ripe for change.
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