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Cameron, considerada precursora del movimiento, ensayó varias innovaciones en su fotografía, por lo que recibió duras críticas por parte del ambiente académico de su época. Uno de sus campos de experimentación fueron los retratos femeninos. La modelo en esta fotografía, Ellen Terry, fue una actriz teatral especializada en Shakespeare.
Ellen Alice Terry Ellen Terry John Singer Sargent: Ellen Terry als Lady Macbeth, Öl auf Leinwand, 1889. Dame Ellen Alice Terry GBE (* 27. Februar 1847 in Coventry; † 21. Juli 1928 in Smallhythe bei Tenterden, Kent) war eine britische Bühnenschauspielerin und galt als beste Shakespeare-Interpretin ihrer Zeit.
Dame Ellen Terry GBE ( Coventry, 27 februari 1847 [1] – Tenterden, 21 juli 1928) was een Engelse toneelspeelster, die de toonaangevende Shakespeare -vertolkster in het Verenigd Koninkrijk werd. Geboren in een familie van acteurs, begon Terry als kind in toneelstukken van Shakespeare te spelen en ze bleef dat doen als tiener in Londen en op ...
by: David Howland (Author) from: The Camelot Project 2001. "Ellen Terry is the most beautiful name in the world; it rings like a chime through the last quarter of the nineteenth century," George Bernard Shaw wrote of the Dame when she was at the height of her career (Manvell, 329). This career did in fact span a lifetime; the child of actors ...
Nineteenth-century actress Ellen Terry (1847–1928) will be used as a case study through which to present this new methodology. Most famous for the 22 years she spent as the leading lady of the Lyceum Theatre, this discussion will focus on one of Terry’s more celebrated Shakespearean roles, Lady Macbeth. It will explore the design, creation ...
12 de may. de 2017 · Ellen Terry was one of the most famous and celebrated actresses of the English stage, particularly renowned for her brilliant interpretations of Shakespeare. In a career spanning seven decades and two centuries, her extraordinary talent and intellect won her thousands of admirers both at home and abroad. Born in a Coventry boarding house in 1847 […]
Abstract. This essay discusses Virginia Woolf’s enduring fascination with the life of the acclaimed Victorian actor, Ellen Terry. Drawing principally on Woolf’s biographical writing on Terry—including both extant versions of her sole play, Freshwater, as well as a 1941 retrospective essay on Terry’s career—it argues that Woolf’s understanding of Terry pivots from a historical ...
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