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  1. Fragments is an album by Canadian jazz pianist Paul Bley recorded in January 1986 and released on ECM October later that year. The quartet features reed player John Surman, guitarist Bill Frisell, and drummer Paul Motian.

  2. 1 de ene. de 1986 · Nicely assisted by '60s cohort and drummer Paul Motian, guitarist Bill Frisell, and saxophonist John Surman, Bley ranges wide, from his own diffusely meditative opener ("Memories") and two wintry ballads by Carla Bley ("Seven" and "Closer") to a noisy workout by Surman ("Line Down") and a mercurial swinger from Motian ("Once Around ...

  3. ecmrecords.com › product › fragments-paul-bley-john-surman-bill-frisell-paul-motianFragments - ECM Records

    Release date: 01.10.1986 ECM 1320. CD 18,90 € 12,90 €add to cart. LP 14,90 € out of print. About. Tracks. Featured Artists. Paul Bley Piano. John Surman Soprano Saxophone, Baritone Saxophone, Bass Clarinet. Bill Frisell Guitar.

  4. Fragments: Paul Bley, piano - Bill Frisell, guitare - John Surman, saxophone - Paul Motian, batterie: Amazon.es: CDs y vinilos}

  5. Bill Frisell (in 1986-01) piano: Paul Bley (in 1986-01) reeds: John Surman (English jazz saxophonist, clarinettist and composer) (in 1986-01) recorded at: Rainbow Studio in Oslo, Norway (in 1986-01) recording of: Once Around the Park (in 1986-01) composer: Paul Motian (US jazz drummer, percussionist & composer) publisher: Yazgol Music

  6. Monica Jane (from Paul Bley Fragments) The Beach (from In Line) When We Go (from Rambler) Throughout (from In Line) Black Is the Color of My True Love's Hair (from Marc Johnson's Bass Desires) Wizard of Odds (from Rambler) Conception Vessel (from Paul Motian's It Should've Happened a Long Time Ago) Etude (from Paul Motian's Psalm)

  7. 19 de abr. de 2024 · In the trio format he’s favored throughout his career, the guitarist and composer Bill Frisell has always projected an orchestral scope — through his remarkably complete sense of harmony, a unique gift for melodies that remain with you long after a performance, and a keen feel for how dynamic range can be used to convey emotion.

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