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  1. George Frederick Watts (23 de febrero de 1817 - 1 de julio de 1904) fue un popular pintor y escultor inglés victoriano asociado con el movimiento simbolista. Watts llegó a ser famoso durante su vida debido a sus trabajos alegóricos, tales como Hope (Esperanza) y Love and Life (Amor y Vida).

  2. George Frederic Watts OM RA (23 February 1817 – 1 July 1904) was a British painter and sculptor associated with the Symbolist movement. Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life.

  3. George Frederick Watts (23 de febrero de 1817 - 1 de julio de 1904) fue un popular pintor y escultor inglés victoriano asociado con el movimiento simbólico. Watts llegó a ser famoso durante su vida debido a sus trabajos alegóricos, tales como Hope (Esperanza) y Love and Life (Amor y Vida).

  4. George Frederic Watts (23 February 1817 – 1 July 1904) was a British painter and sculptor associated with the Symbolist movement. Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions ...

  5. 15 de abr. de 2024 · George Frederick Watts (born Feb. 23, 1817, London—died July 1, 1904, Compton, Surrey, Eng.) was an English painter and sculptor of grandiose allegorical themes. Watts believed that art should preach a universal message, but his subject matter, conceived in terms of vague abstract ideals, is full of symbolism that is often obscure ...

  6. 1 de may. de 2011 · Learn about the life and work of G.F. Watts, a late Victorian artist who painted symbolic and allegorical scenes inspired by his fascination with science and astrology. See some of his strangest pictures, such as Can These Bones Live? and The Sower of the Systems, at the Watts Gallery in Surrey.

  7. 13 de may. de 2024 · George Frederic Watts (1817 - 1904) | National Gallery, London. 1817 - 1904. Watts was able to support himself as an artist from the age of 16. He exhibited at the Royal Academy from 1837 onwards and in 1843 won a prize in a competition for decorations for the new Palace of Westminster.

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