Yahoo España Búsqueda web

Search results

  1. Hace 18 horas · Fu probabilmente Giuseppe Rovani a soprannominare la statua di Leonardo da Vinci ‘On liter in quàtter‘, ovvero un bottiglione e 4 bicchieri.Il complesso marmoreo, situato in piazza della Scala, ha al centro la figura di Leonardo che si erge sui 4 allievi Giovanni Antonio Boltraffio, Marco d’Oggiono, Cesare da Sesto e Gian Giacomo Caprotti (con il nome di Andrea Salaino).

  2. 2 de may. de 2024 · A detail from the copy of Leonardo’s The Last Supper (c. 1515–20) attributed to Giampietrino and Giovanni Antonio Boltraffio. Courtesy of Google Arts and Culture. And Jesus’s feet?

  3. Hace 3 días · Some of the earliest frescoes are by Bernardino Luini and Giovanni Boltraffio, a pupil of Leonardo da Vinci. Further works from the second half of the 16th century are by Antonio Campi, Simone Peterzano, and Bernardino Luini’s three sons. Visiting San Maurizio in Milan.

  4. 4 de may. de 2024 · In 1884 Bode finally proposed the name of Boltraffio; M. T. Fiorio, Giovanni Antonio Boltraffio: un pittore milanese nel lume di Leonardo (Milan and Rome, 2000), pp. 81–3, cat. no. a 3.

  5. 30 de abr. de 2024 · As a master artist, Leonardo maintained an extensive workshop in Milan, employing apprentices and students. Among Leonardo’s pupils at this time were Giovanni Antonio Boltraffio, Ambrogio de Predis, Bernardino de’ Conti, Francesco Napoletano, Andrea Solari, Marco d’Oggiono, and Salai.

  6. 24 de abr. de 2024 · At the same time this Madonna of the Rocks resembles the styles of Giovanni Antonio Boltraffio and Giovanni Pietro Rizzoli, called il Giampietrino. The bright colours, the accentuated chiaroscuro and the plasticity of form are also reminiscent of Marco d’Oggiono, whose version of the subject is conserved in the Castello Sforzesco ...

  7. 29 de abr. de 2024 · After passing through many hands during the 16th and 17th century, the painting was sold at an auction at the St Charles Gallery auction house in New Orleans to a group of art dealers for $1,175 in 2005. At the time, the work was attributed to da Vinci’s pupil Giovanni Antonio Boltraffio.