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  1. en.wikipedia.org › wiki › Henry_JaglomHenry Jaglom - Wikipedia

    Henry Jaglom. Henry David Jaglom [1] (born January 26, 1938) [2] is an English-born American actor, film director and playwright . Life and career. Jaglom was born to a Jewish family in London, England, the son of Marie (née Stadthagen) and Simon M. Jaglom, who worked in the import-export business. [3] .

  2. www.imdb.com › name › nm0415617Henry Jaglom - IMDb

    Henry Jaglom. Writer. Director. Actor. IMDbPro Starmeter See rank. Play trailer 2:04. Magician: The Astonishing Life and Work of Orson Welles (2014) 6 Videos. 11 Photos. Henry Jaglom trained with Lee Strasberg at. the Actors Studio in New York, where he acted, wrote and directed. off-Broadway theater and cabaret before settling in Hollywood in the.

  3. Henry Jaglom es un director y guionista nacido en el año 1938 en Reino Unido conocido por Al otro lado del viento, Me amarán cuando esté muerto, Un lugar seguro, La gran locura americana, Festival de Cannes, Huellas, Déjà Vu, Can She Bake a Cherry Pie?, Last Summer in the Hamptons y Always.

  4. Henry Jaglom—the innovative filmmaker, director, and screenwriter—has remained independent of the so-called Hollywood studio system by ensuring that all his films, on the advice of Orson Welles, “Never need Hollywood.” In 1971, Jaglom persuaded Welles to appear in A Safe Place, and the two began having lunch together weekly in 1978.

  5. 20 de jul. de 2013 · Director Henry Jaglom was a close friend of Orson Welles — and with Welles' permission, he recorded several years' worth of their lunchtime conversations. Nearly 30 years after Welles' death ...

  6. Henry Jaglom. Home. Filmografía. Actividades Director , Actor , Guionista más. Nacionalidad. Británico. Nacimiento 26 de enero de 1938. Edad. 86 años. 50. años de carrera. 27. plano de...

  7. 17 de oct. de 2012 · Jagloms new feature, Just 45 Minutes from Broadway, based on his own stage play, concerns a family of theater actors. The film plays with another of Jagloms favorite themes, that of actors and acting, reality and make believe, shot in parts on an actual stage, as if in homage to the film’s theatrical origins (though Jaglom ...